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Shucking Oysters: Turn Hard Right

Shucking Oysters: Turn Hard Right

By Alex Allen

For some reason Canada always has to follow the lead of the United States on everything. Take the Conservatives (will you please?). Their ideologies and mean-spirited beliefs are no different from the Republicans and yet so many Canadians are embracing their whole agenda. And now, the bumbling BC Conservatives have elected yet another questionable leader: Kerry-Lynne Findlay. 

Findlay, 71-years-old (next provincial election shell be 73), has extensive experience in federal Conservative politics. Having been an MP from 2011 to 2015, and again from 2019 and 2025, she served under both Prime Minister Stephen Harper and Pierre Poilievres cabinet, revealing her fondness for establishment conservatism.” Accusations of racism and corruption against Findlay only reinforced her anti-establishment narrative. Opposing Indigenous rights and ending sexual orientation and gender identity were a few of her party platforms. 

A leader who wins 51% of the vote is not exactly the favourite nor in full command. Leadership races rarely unite political parties. More often, they deepen divisions. So, as Findlays focus shifts to defeating Premier David Eby and the NDP,  her most immediate mission remains an internal one: uniting a diverse Conservative Party of BC bruised from an acrimonious leadership contest,” The Tyee reported.

Now Findlay needs to find an MLA willing to surrender his or her seat. With 31 of the Conservatives38 MLAs serving their first term, it is unlikely that anyone will give up their coveted seat. An obvious solution is her equally controversial hubby, Surrey South MLA Brent Chapman, who has a history of posting Islamophobic and racist content, among other things.

David Ebys BC NDP is very vulnerable right now. Cost of living, health care, housing, public safety and major infrastructure delays has made many British Columbians frustrated and angry. The perfect storm for the Conservatives.

Kirk LaPointe wrote that the Conservative caucus is a political mashup of former BC Liberals, new conservatives, regional voices, populists, social conservatives, fiscal conservatives and rookies who arrived in Victoria on a sudden wave they may yet not appreciate.” 

And then those outliers that left the party. Will Findlay reopen the door to more controversial individuals? Peace River North MLA Jordan Kealy,  Kelowna-Lake Country-Coldstream MLA Tara Armstrong, and the sweet and lovely Vancouver-Quilchena MLA Dallas Brodie?

We can be a powerhouse in our nation, a powerhouse no longer denied by eastern and global elites, predatory foreign nations and our own Constitution,” Findlay said in her acceptance speech. The Constitution? Where is she going with that? 

Jennifer Whiteside, the BC NDPs minister of labour, told reporters that Findlay had run a campaign based on division and racism.” “I think with this result the pro-Trump, extreme-right part of the party is firmly in control,” Whiteside said. She made comments about her colleagues that were racist in nature; she called out her fellow MLA Peter Milobar because his wife is Indigenous.” 

Hey, its all good. Right? 

The world is in a mess and much of it has been caused by Lord Rump and his reckless destruction of everything previously normal. Yes, the NDP are somewhat hapless and feckless in their traditional role of impotent power.” And as someone so eloquently wrote in a comments section, the Danielle Smiths and K-L Findlays are just MORE Trumps-in-drag helping the great Orange ANTICHRIST destroy things. It would be good to have a nice” NDP government that had some vision and brains to go along with nice” but swapping out the sheep for the demented wolves is NOT an answer.” 

The concern is that we BC voters do not have many options. Dont like Eby? Vote for Findlay. Dont like either of the above? Vote for the Greens. Findlays party slogan: Faith, family and freedom.” The three Fs. Anyone here up to adding a fourth?

The Book Report

The Book Report by A Bae Hel

Frankenstein

By Mary Shelley

I acknowledge never having read this gem before now. In my defense, I have never been a big fan of horror, unless it is Poe, and if your book is marketed as horror, I will likely have missed it.

I see the error of my ways now. What other delights have I missed out on?

I think Mary Shelley saw the men of her time as objects of ridicule and hubris.  She certainly writes it that way. The main characters, Frankenstein, the monster and Walton, are all men overly impressed with their ability to think and over reaching ambition.  The female characters do not pass the Bechdel test, portrayed as passive hosts waiting for fulfillment through male agency.

She has taken the power of women, to create life, and placed it in the hands of a man, overburdened with the patriarchal values of ambition and self-centeredness, who takes a male approach to creation with all it’s lack of awareness or responsibility. Victor’s failure to provide the absolute basic necessities to his creation is the cause of all the pain and suffering that ensues.

And ensue it does.  These characters are perhaps the original emo boys for they do seemingly love to suffer.  The monster just wants to be loved, as all children, unfortunately, he has decided to take on the values that we see currently playing out in the dark corners of the internet – love me or I will destroy all you care about. Give me a woman who will dote on me. Tiresome now, and I bet it was tiresome then.

Frankenstein and his foil, Walton are hell bent on achieving fame until their hubris brings about their failing. Even then Frankenstein remains assured of his mission and Walton is easily swayed by words basically telling him to not be such a beta cluck.

Mary Shelley led and interesting life for the times. A child of passionate feminists and a wild child of the times she traipsed around Europe in the thrall of a self-centered man.  I think she understood the assignment very well.

Absolutely do not miss reading this like I did.  It is never too late

The Oystercatcher, A Review 

The Oystercatcher, A Review 

by Cylon2036. We/Us

Published annually each May Day from Denman Island, and shared internationally, The Oystercatcher is a defiantly unclassifiable anarchist-surrealist periodical curated and compiled by Ron Sakolsky and Sheila Nopper. Part literary journal, part political broadside, and part dream-log from the fringes of late stage capitalism, the magazine blends poetry, essays, visual art, correspondence, and experimental prose into a singularly unruly offering first published in 2004.

Deeply informed by anarchism, surrealism, pirate radio culture, anti-fascist solidarity, and unconstrained imagination, The Oystercatcher occupies an unceded cultural territory far outside the polite boundaries of mainstream literary publishing. Its pages drift between ecstatic reverie and fierce political critique, often treating rebellion not simply as ideology, but as a lived aesthetic practice. The publications sensibility reflects Sakolskys long engagement with anarchist theory, free radio, and radical cultural resistance, alongside Noppers involvement in alternative broadcasting, art, poetry, and radical underground media. 

Surrealism originated in Paris in 1924, led by French poet Andre Breton, drawing on 20th Century theories of dreams and human desires, as a literary and art movement of “pure psychic automatism”, bypassing conscious control, and treating dreams as portals into hidden “super realities.” With the rise of fascism in Europe, surrealists became more focused on active political resistance to war, seeking to dismantle the political and cultural structures that fuel nationalism, imperialism, and colonialism. Surrealists continue to argue that it is the rational” values of capitalist society that cause the violent conflicts and wars.

A review in the anarchist publication Fifth Estate described The Oystercatcher as evoking a Lost Utopia,” praising its atmosphere of fleeting radical possibility and imaginative escape. Rather than offering rigid doctrine, The Oystercatcher embraces contradiction, spontaneity, poetic disorientation, and what the surrealists call “the marvellous.” It ruptures the deadening routines of contemporary life through imagination and revolt, while rejecting miserabilism”; the joyless belief that corrupt capitalist democracy is the “lesser of evils” in structuring our communities.

Physically modest, and beautifully printed, The Oystercatcher has the feel of a hand-crafted artifact from an enduring underground tradition that is part artistic intervention, and part signal flare from the margins. In an increasingly homogenized media culture, it remains a rare example of a publication devoted not to branding, careerism, or literary fashion, but to radical curiosity and uncompromising creative freedom in resistance to the poverty of imagination.

Issue #23 of The Oystercatcher is available now through the unconscious psychic portals into the unceded territory of dreams.

It wasn’t a moth

Gabriel Jeroschewitz, April 17th,  2026,

 It wasn’t a moth.

 The rain upon the windowpane of the third-floor office was a steady, rhythmic percussion, a gray clock signalling the slow passage of a dull Tuesday afternoon. Dr. Aris Thorn sat behind his mahogany desk, the fragrance of vintage paper and Earl Grey tea drifting in the air. He was listening to his patient, Elara, speak of a recurring dream, but his attention was drifting toward the window, where a storm was gathering strength.

Elaras voice was soft, trembling gently as she narrated the imagery that had plagued her sleep for the past week.

“It was a bird,” she said, her fingers twisting the hem of her pullover. “Not just any bird. A crow. But it was heavy, Aris. It felt like it was made of lead. It sat on the roof of my youth residence, and it wouldn’t fly away. It just watched the front door with one glassy eye.”

Aris nodded, making a note on his pad. Bird. Weight. Omen.

“And when you woke up?” he inquired softly.

“I experienced a crushing feeling of fear,” Elara admitted. “Like the air had been sucked out of the room. And then, yesterday, I saw it.”

“Saw the crow?”

“No. I saw the omen,” she corrected, her eyes growing wide. “I was walking past the antique shop on 4th Street, and in the window display, there was a taxidermied crow, exactly like the one in my dream. It was posed on a branch, but the glass eye… it was the same. I hesitated on the sidewalk. I couldn’t breathe.”

Aris leaned back in his chair. He was a man of science, of cause and effect, yet he had read Jung. He knew the concept of synchronicity—that acausal connecting principle. He knew that sometimes the universe did not move in straight lines but in loops, folding over itself in deliberate coincidences.

“That is a powerful image, Elara,” Aris said. “Jung might say your unconscious was preparing you for a confrontation with mortality or a crucial transition.”

“But it felt like a warning,” she uttered quietly.

As Elara herself spoke, Aris found his gaze drawn back to the window. A small, dark shape was fluttering against the glass. A moth, perhaps, or a fly seeking shelter from the rain. It knocked rhythmically, a tiny percussion against the pane.

“Transitions are often frightening,” Aris replied, trying to refocus. “The scarab beetle, for instance, in Jungs famous case—a symbol of rebirth, yet appearing literally in the room at the exact moment the patient described it.”

Elara shivered. “Do you think the universe sends signs?”

“I think,” Aris said deliberately, “that the unconscious is vast. It perceives things outside our linear perception of time. Sometimes, a thought matches an event, and the coincidence creates meaning.”

The tapping at the window became louder. Tap. Tap. Tap.

Aris finally turned his head fully toward the glass. The rain had obscured the view, but through a clear streak where the water ran down, he saw the creature clearly.

It wasn’t a moth.

It was a beetle. Large, iridescent, its shell shimmering with an oil-slick sheen of green and purple against the dull gray afternoon. It was pressing hard against the glass, trying to push through the invisible barrier into the warm feeling of the office.

Aris perceived a sudden, sharp intake of breath.

He had been reading Jungs essay on synchronicity just that morning, specifically the passage about the scarab beetle—the symbol of transformation that had appeared at the very moment his patient was describing her dream of the same creature.

And here was a beetle, not a scarab specifically, but the archetype was the same: a hard-shelled creature seeking entry, seeking transformation from the larva of the moist ground to the winged adult.

“Dr. Thorne?”

Elaras voice pulled him back. She was looking at him, then following his gaze to the window.

“Oh,” she said, her voice softening to a soft tone. “A beetle.”

“Yes,” Aris said, his heart beating against his ribs. “It seems the universe is insisting on the theme of transformation today.”

He stood up and walked to the window. The beetle was persistent, its legs scrabbling against the glass. Aris unlocked the latch and slid the window open an inch—the sound of the rain rushed in—cold, fresh, and smelling of ozone. The beetle tumbled over the sill and onto the oak floorboards of the office.

It righted itself instantly, its antennae vibrating as it explored this new territory.

Aris crouched down, watching it. It was advancing with intent, a tiny, armoured tank crossing the rug’s landscape.

“Its not a scarab,” Aris murmured, half to himself, half to the memory of Jung. “But the timing…”

He looked at Elara. She was staring at the beetle, her fear momentarily replaced by curiosity.

“Its strange,” she uttered softly. “I was terrified of the crow, the heavy bird. But this… this feels different. Its not heavy. Its… persistent.”

Aris watched the beetle pause near the leg of his desk. It was an entity of the earth, emerging into the air, seeking the light of the window.

“Jung believed that when an unconscious image rises to the surface,” Aris said, standing up slowly, “and coincides with an objective event, its a message. A bridge between the psyche and the physical world.”

He motioned to the beetle. “You referred to a transition. Of a heavy bird that couldn’t fly. And here, a creature that can fly—or at least, has wings underneath its shell—arrives at the exact moment you describe your fear.”

Elara viewed from the beetle to Aris. “So, the crow was the fear of the transition, and the beetle…?”

“The beetle is the transition itself,” Aris suggested. “Hard armour protecting soft wings. Moving from the dark earth to the open air.”

The beetle reached the center of the room and stopped. It seemed to orient itself, its head turning as if surveying the space. Then, with a sudden, audible buzz, it extended its wing cases. Underneath, delicate, membranous wings vibrated, lifting the heavy body from the floor.

It circled once, a lazy, spiralling ascent, passing between the two humans, a mute observer in the therapy room. It flew directly toward the open window, maneuvering the air currents with invisible precision.

It didn’t hesitate. It flew out into the rain, disappearing into the gray mist.

Aris stood near the window, watching the vacant spot where the beetle had been. The rain was slowing, the light shifting as the storm moved east.

He turned back towards Elara. The apprehension that had knotted her shoulders seemed to have loosened. She was sitting upright, her hands resting palms-down on her knees.

“I don’t feel the weight anymore,” she uttered softly, a look of wonder on her face. “The crow… Its gone.”

Aris returned to his chair. He didn’t have to analyze the moment further. The coincidence had done the work. The unconscious image—the heavy bird—had met the objective reality—the ascending beetle. The tension of the opposites had resolved.

“It wasn’t a cause and effect,” Aris said, settling back into his leather chair, the leather creaking softly. “The beetle didn’t fly in because you dreamed of the crow. But they met here, in this moment, to create a meaning that neither could create alone.”

Elara smiled with a genuine, relieved expression. “Synchronicity.”

“Yes,” Aris said. “A meaningful coincidence. The universe mirroring the psyche, reminding us that we are not separate from the world, but woven into it.”

The room was quiet again, save for the ticking of the clock and the receding sound of the rain. The space where the beetle had landed was empty, but the air felt charged, as if the barrier between the inner and outer worlds had thinned, just for a moment, allowing something primeval and symbolic to pass through.

Cupcakes & Cow Pies

They Are Building A UFC Arena On The White House Lawn

CAITLIN JOHNSTONE

MAY 27

They are building a UFC arena
on the White House lawn,
because the world has gone insane,
and there are chatbots in our skulls,
and our eyes have been crossed out
with black ink.

They are building a UFC arena
on the White House lawn
so the president can watch men fight in a cage
while the Paramount Plus audience
watches military recruitment ads
that are marketed to teenagers
and a podcast plutocrat
interviews men with bloody hands
as shame-soaked survivors
sleep on the sidewalk
in Washington DC,

as Cuban parents light a candle
and skip another meal,

as Lebanese medics
die in double-tap airstrikes,

as billionaires cackle
about stripping all human knowledge
and selling it back to us
as a subscription service,

as we shovel fistfuls of mood stabilizers
down our gullets
to keep us functional enough
to turn the gears of industry,

as we sit in dark rooms
with flashing screens and dead eyes
while silverfish crawl all over us,

as women hold loaded pistols
to their heads on camera
to pleasure men who have concrete
in their chests,

as The Last Good Thing on the Internet
gets purchased by Google
and turned into military software
where it will be used
to train weaponized robot dogs
to rape prisoners in IDF torture camps,

as forgotten godlings awaken within us
to sharpen our teeth and our blades,

as Nature returns
wearing a necklace of wet skulls
to reclaim all that was stolen from Her,

as the blood on the Octagon canvas
mixes
with the blood of the Muslim martyrs.

They are building a UFC arena
on the White House lawn
so the president can watch men fight in a cage
from the comfort of his home
on his birthday.

He does not know
about the strange beasts
stirring with in us.

He does not know
about the sharpening blades.

long words

#1737

Out of the Blue

 

Out of the Blue

Dear Islander:

You are warmly invited to a ‘Wedding of Wonder’

Octopus Marries the Ocean Denman World Ocean Day Celebration

Sunday June 7th at Fillongley 10:30 am-noon

Please join us! Who is getting married? You will never see a wedding like this!

At 10:30, we will start our procession in the upper meadow at Filongley Park. We will wend our way down the path to the shore for a magical ceremony by the sea. Children of all ages are most welcome!

The Fourtune Cookies will chant us down the path, guided by Bridget Salas and dancers and a myriad of wonderful creatures, including a Water Dragon named Queen Vaporia, created by Cathy Stoyko. You might get to carry a celebratory fish on a stick (made by the students at the Denman School), or a wind chime (crafted by Kathy Rapati). Other costume creators include Helen Mason, Kerri Davis, Liz Johnston, Slug and Jean Cockburn.

As esteemed guests, you can join in the procession, or wait for us at the shore. We will all meet there and stand or sit in wedding chairs to witness and celebrate, laugh and cry at this Wedding of Wonder. We will enjoy music by Randy Duncan, more songs by the Fourtune Cookies, dance and spoken word, all culminating in the sacred exchange of vows. Jennifer Lee and Lee Andra Jacobs will officiate the wedding.

We are called to protect Octopus and Ocean and all they share. Pollution, warming, acidification and overfishing, all adversely affect this sacred union. This event is listed on the World Ocean Day site, and we unite in spirit with events that are happening at the same time, all around the world.

The wedding couple requests no gifts. Donations will be welcome and transferred to ADIMS (Assoc for Denman Island Marine Stewards).

Parking at Filongley Park is limited, so you may need to park on the street or you may choose to walk in or cycle there. We will have attendants to help direct you.