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National Indigenous Peoples Day 2026

National Indigenous Peoples Day  |  June 20 2026  |  2 pm 

Comox Valley Exhibition Grounds

National Indigenous Peoples Day is a community-wide celebration of the contributions and unique cultures of First Nation, Inuit and Métis communities locally and from across Canada.

Produced by K’ómoks First Nation in partnership with local government and Indigenous serving organizations, this vibrant celebration features live music from acclaimed Indigenous artists, an eclectic food and craft market, Elder and Youth Zones, guided walks, cultural activities and workshops, knowledge sharing, community connections and more.

Live music at National Indigenous People’s Day 2026!

We are thrilled to announce some of the artists joining us for our celebrations on Saturday, June 20th, 2026!

AYSANABEE

Aysanabee is a multi-instrumentalist, producer and singer songwriter currently based in Toronto. He is Oji-Cree, Sucker Clan of the Sandy Lake First Nation, a remote fly-in community in the far reaches of Northwestern Ontario.

A four time JUNO winner, Aysanabee merges indie, soul, and electronic sounds with mournful saxophone and pulse-quickening fingerpicking, exploring themes of memory and storytelling. Solemn and soaring, Aysanabee’s striking sound is equal parts hypnotic and melodic which has been compared to Bon Iver, Matt Corby, Don Ross, Kim Churchill, Kings of Leon and Sam Smith.

His debut album Watin (2022) was named after his grandfather and shortlisted for the Polaris Prize. “Watin actually started out as a series of conversations between myself and my grandfather,” Aysanabee said. “We spent the first year of the pandemic talking about things we’ve never spoken about, his life on the trapline on Sandy Lake First Nation, falling in love, his life in residential school and then leaving everything behind… We never spoke of it until now. Even though we were over 1,000 kilometres apart, it was probably the closest we’ve ever been.”

In his album Edge of the Earth (June 2025), Aysanabee embarks on a transformative journey of will, sacrifice, and self-discovery, expanding his sonic horizons, and blending his signature finger style guitar with lush, cinematic soundscapes.

On March 23, 2024, Aysanabee made history as the first ever Indigenous Artist to win the JUNO Awards for Alternative Album of the Year and the coveted Songwriter of the year, for Here and Now, his sophomore album. This year he won JUNOs for both Alternative Album and Indigenous Artist of the Year for his 2025 album Edge of the Earth.

Aysanabee has performed over 400 shows on major stages and festivals and venues across Canada and globally including Ottawa Bluesfest, Osheaga, Montréal Jazzfest, Tönder Music Festival, AmericanaFest UK, Wake the Giant , The Great Escape, Reeperbahan and more. Aysanabee has shared the stage with notable acts including The National, Digging Roots, Our Lady Peace, DJ Shub, Julian Taylor, Jeremy Dutcher, Dan Mangan, Mavis Staples, July Talk, Half Moon Run, Tokyo Police Club, Aqua, and local emerging Indigenous artists.

Visit Aysanabees website to learn more

View the Official Music Videos for Aysanabee’s song Edge of the Earth


TSIMKA & MICHAEL RED

Tsimka & Michael Red is a collaboration of music from the land and from the heart (and knowing and listening). Rooted in ancestral Tla-o-qui-aht homelands, Tsimka works with Nuuchahnulth singing traditions along with contemporary inspirations as part of her musical expression. She writes and arranges songs in more formal ways, and also finds music through live improvisations following intuition and spirit. Tsimka uses intermittent vocal fx for their immersive qualities, and often invokes Tla-o-qui-aht language in her songs, integrating language revitalization into the experience. Tsimka’s music taps into Tla-o-qui-aht cultural teachings, imagery and love of her home. She expresses a human experience with observations and emotions that arise with desire, joy, care, resiliency, and kinship.

Michael Red is a Vancouver-based music producer, film composer, live performer and event organizer, known for helping shape underground electronic music culture in Western Canada (both as an event curator and DJ). Some of his other projects include Low Indigo (events, label, community), Oro Azul (with Ultima Esuna), LA FE (with NAP), Light Blues (sound wellness project), Souns (ambient alias), a former collaboration with throat singer Tanya Tagaq, and an extensive list of other projects and collaborations. He fills out the rest of the music, beats and atmospheres *all* created from blending & morphing & effecting natural sounds recorded primarily on Tsimka’s ƛaʔuukwiʔatḥ home territory. Sounds like Cixwatsac (Frank Island frogs), Swainson’s Thrush, and other birds, a little creek at Hiłwinʔis, ocean, rain, mist and ice.

Visit Tsimkas website to learn more

View their full live performance from Active/Passive Festival (Galiano Island, 2023)


KUMUGWE CULTURAL SOCIETY

The Kumugwe Dancers help facilitate respect and understanding within the local community and communities abroad through sharing the songs and dances of the K’ómoks and Kwakwaka’wakw peoples. Taking their name from the traditional Bighouse that sits within the heart of the K’ómoks First Nation, members of the dance troupe have been practicing and performing together since 2001.

The Kumugwe Dancers feel that by encouraging young members of their community to learn the ancient songs and dances of their people, they will ensure the survival of the culture for generations to come.


LOV

LOV is a force of resilience, rhythm, and reinvention. Hailing from Treaty 6 Territory, LOV transforms personal trials into soulful affirmations of strength and independence. With a sound rooted in UK-inspired soul and guided by a deep sense of purpose, LOV’s music is both healing and unapologetically empowering.

Her journey took a pivotal turn when she decided to fully embrace her artistry – stepping into her truth and reshaping her narrative. What followed was a rebirth. As LOV, she channels raw emotion into songs that carry the weight of lived experience while remaining light enough to dance to. Whether she’s celebrating matriarchal strength or voicing quiet moments of reflection, her music resonates with sincerity and grace.

Her debut singles – Mama, Matriarch, Relate, Sister Era – have already earned her over one million+ streams across platforms and more than 7 million views on TikTok + Facebook, signaling a fast-growing fanbase drawn to her authenticity and style. Mama soared to #1 on the Indigenous Music Countdown, affirming her rising profile in the Indigenous music community.

With features on CBC & APTN and recognized as an Artist to Watch by Seeing Red Media , LOV continues to build momentum both musically and culturally. LOV is not just making music – she’s making a statement. And this is only the beginning.

Visit LOVs website to learn more

View the Official Music Video for LOV’s song Matriarch


THE SPIRITUAL WARRIORS

The Spiritual Warriors create music inspired by the land and life in the coast mountains of the Lil’wat Nation, Mount Currie BC. With their unique blend of indigenous chants and contemporary roots, rock, reggae, The Spiritual Warriors are distinctly west coast. Internationally acclaimed, the band has been awarded 2 Native American Music Awards. The Spiritual Warriors perform most of their songs in U’cwalmicwts (the Lil’wat Language) and are passionate about preserving and promoting their language and culture. They use the language and chanting styles of the Lil’wat/St’at’imc people to fuse with reggae and rock to create uplifting contemporary Indigenous world music

Formerly known as Kalan Wi, The Spiritual Warriors are led by father and daughter, Leroy Joe (vocals, guitar) and Daisy Joe ( vocals). The band regularly collaborates with other First Nation artists and musicians to write and perform live. This truly unique band will take you on a cultural journey to the natural heartbeat of the Indigenous drum and the St’at’imc people.

Visit The Spiritual Warriors website to learn more

View the official video for The Spiritual Warriors

CVRD $3,000 Lemonade Solution? 

CVRD $3,000 Lemonade Solution? 

Hi Folks, 

This week’s article is a follow up to the previous June 11th article titled, “Fines, Fear, Failures & Future?”

CVRD’s FOMO (Fear Of Missing Out) campaign continues with CVRD Rep. Daniel Arbour’s recent political comments and the pedalling of a CVRD $3000 Lemonade Solution.

 

Let’s address the well intentioned but misguided comments that have been made because of misinformation and being disconnected from resident reality.

The CVRD Graham Lake Lemonade Solution apparently will be sold at a cost to each resident of $3,000 per year. 

The simple arithmetic doesn’t add up and here’s why:

$1,210.38 – 2026 BC Property Tax GRAHAM LAKE WATER tax line item

$1,060.00 – 2025 CVRD Water Toll 

$2,000.00 – 2026 CVRD’s Projected Project Service Debt Cost

$4,270.38per year water bill without subdivision Fire Hydrant protection. 

*Not including future increases. 

Am I missing something? 

The highest water costs across Canada are $1,200 per year and Graham Lake will be nearly four times that. 

Why have residents been placed into this financial crisis with many wondering where is our subdivision’s champion and elected representative?

To date there has been no impact study related to the financial hardships on fixed income pensioners, renters and working people! 

Does anyone care?

It’s been suggested to residents that the CVRD website contains all the answers regarding the upgrade, except for questions from taxpayers with extensive drinking water system, fire protection specialist, waterworks construction and common-sense experience. 

Let’s investigate some key points in the development of any water treatment solution: 

One of the most important is a proper Lake Study and Sanitary Survey. A proper Lake Study is a minimum of one year to research, capture and create baselines for all seasonal changes in the lake. At least one follow up study is required. The CVRD conclusion that after a couple months of tests during the summer is sufficient is only blowing smoke and an insult to the intelligence of residents when multiple of millions of dollars of debt are to be incurred. This was pointed out at the CVRD Electoral Areas Service Committee (EASC) meeting of May 8th 2023.

Fire Hydrants are an integral part of any subdivision water system:

The availability of ready, accessible Fire Hydrant Water is critical to the fire protection and safety of subdivision residents, homes, pumphouse waterworks and even Graham Lake itself.  Daniel Arbour and CVRD Fire Chief Bruce Green’s political opinion disregards the subdivision’s existing Fire Hydrants which eliminates the only access to Graham Lake’s 63 million gallons of Fire Water. Morrison Marsh is not a reliable water source. 

In 2026 is Fire Water not required for subdivision structure or interface fire protection? This is reminiscent of a mindset in failure that led to the Palisades/Santa Ynez Reservoir fire disaster in 2025. Again, the Superior Tanker Shuttle system is not designed for subdivisions as the Fire Underwriters Survey (FUS) literature indicates. Additionally, the Superior Tanker Shuttle system has NEVER been tested and proven in the subdivision. This Fire Hydrant Water issue continues to be about the safety of my family, my property and that of my neighbours and surrounding community.

Let’s now address financial tenability:

We are now at a junction where the inactivity and incompetence of the CVRD and a few GLID administrators over the past 8 years has led to subdivision residents facing a proposed unexplained inflationary upgrade with an outrageous yearly water cost. This water project lacks specifics and a clear simple statement of purpose. Is this about complying to Surface Water Treatment Objectives (SWTO) and Fire Hydrant requirements in a cost effective, market bearing manner? The SWTO does not require water meters. Have water meters been deleted from the service debt cost?  $500,000 savings plus operational costs. Graham Lake is a FREE 63-million-gallon Fire Hydrant Water storage tank. Why has this been overlooked and excluded?  Who authorised the removal of the Emergency By-Pass from the pumphouse? Let’s get back to satisfying what is required and utilizing existing assets and put an end to this fiasco.

Again, regarding FOMO tactics and the expiring “grant” money; FOMO usually results in a very poor impulse purchase. There will always be another sale. At the time, submitting the grant application was advised against for the very reason we find ourselves in presently, that of being ill prepared. Any delay “fines” assessed to the CVRD reflect failure of their handling, yet the CVRD expects us to pay their way out. To reiterate what one resident said, “Intelligent and responsible people don’t SPEND multiple millions to save a million”. 

Your “yes” vote is like your signature on a blank cheque. Where did the quarter of a million dollars ($250,000) of GLID capital monies go?  For certain it didn’t go towards providing every resident with a Firesmart sprinkler kit or water filter unit.

To vote NO or ABSTAIN suspends the madness. 

Exactly which SWTO specifications need to be met? There are other cost-effective solutions and approaches.  A good example and case study is Ship’s Point Improvement District’s successful upgrade resulting in value, water cost, compliance, Fire Hydrant protection and more. 

Presently, your water cost will be $4,000+ per year without Fire Hydrant subdivision protection.   Again, which politicians and agencies are looking out for the taxpaying constituents and properties?

The CVRD $3000 Lemonade Solution reveals a lack of transparency, accountability, due diligence and fiduciary duty. And does not provide a responsible path forward to a fully functional, reliable, financially tenable, compliant Drinking Water System and Fire Hydrant Water protection for the Graham Lake community. 

Concerned Citizens of Baynes Sound – NOTICE OF PUBLIC HEARING – BYLAW NO. 904

Concerned Citizens of Baynes Sound – NOTICE OF PUBLIC HEARING – BYLAW NO. 904

The Comox Valley Regional District is holding public hearings on a bylaw that would change marine industrial water zoning to aquaculture zoning where the marine industrial zone does not have a valid provincial tenure (lease). This applies to the Union Bay site where the ship-breaking operation has been operating. If this bylaw is passed by the board it will add further barriers to accessing the site from the water.

This is an important development and we need your help.

Please download the file below, include your name and address at the bottom of the text and email it to planning@comoxvalleyrd.ca no later than 4:30PM on June 22nd.

https://allthingsunionbay.com/wp-content/uploads/2026/06/bylaw_904_support_letter.pdf

Shucking Oysters: Them’s Fightin’ Words

Shucking Oysters: Thems FightinWords

By Alex Allen

As I keep on saying, The only exercise I get is shaking my head in disbelief,” especially when I gaze distractedly south of the border. Last weekend, the Ultimate Fighting Championship Freedom 250 was held on the desecrated grounds of the White House, aptly described by Mother Jones magazine as a corruption-soaked night already teeming with vulgarity.” And yes, it can always get more vulgar and vile, it seems. Just wait and see. So, did you miss anything? The United States Marine Band played all Donalds favourites, including The Boys Are Back In Town” and YMCA.”

After heavyweight Josh Hokit took care of fellow American Derrick Lewis in the fourth fight of the night, Hokit, known for playing a heel,” went off script: Hey, shout out to Trump for having the balls to put on some sh-t like this,” he said in his post-fight interview with Joe Rogan. Hokit then praised God, made a crude remark about the mother of Alex Pereira, the Brazilian heavyweight who lost his fight later in the evening, and belted out: Lastly, Michele Obama is a man. Am I right, America?” Met with a healthy mix of boos and cheers, even Rogan seemed taken aback. 

Kyle Green, a sports-politics sociologist shared with MJ: People who know Hokit from his days as a college wrestler say hes just playing a character in the UFC. But when he gets in front of the mic now, he wears an American flag bandana, and he says that he wants to kick Mexicans out of the country, or hell say that he wants to beat up transgender people. Hell say the most offensive things, leaning into the MAGA fan base. Again, I dont know if he believes it or not. But it doesnt really matter, right? Because thats the thing that sells.”

Hurling a vulgar insult against a black former first lady at a White House event was a choice – and Hokit made it. Former NFL star Robert Griffin III called Hokit a disgrace.” “It takes a really small man to use his biggest moment to attack a woman by calling her a man,” Griffin added. Sportswriter Alex Kirshner declared the moment was the most embarrassing moment for an American pro sports league in quite some time.” UFC president and CEO Dana White agreed as well. Im completely against saying nasty and false things about peoples families,” he said. But what had White been expecting? Hokit is famous for hurling nasty and false” insults. Despite the controversy White said,It was an amazing, experience, this was a one-of-one. It will never happen again.” 

Attendees at Trumps 250th anniversary / 80th birthday spectacle included, a surprisingly animated Melania, son Barron looking bloated and dishevelled, daughter Ivanka, fresh from her global pillaging; baby faced baby maker vice president JD Vance; charismatic Meta CEO Mark Zuckerberg; and boxer Tyson Fury. The weekend featured many hallmarks of Donalds American patriotism,” including parachuters, military and first responder tributes and even a bald eagle flying over the thousands of fans.” 

And of course, no Trump event is without its advertising deal makers. Paramount Plus, Ram Trucks, Total Wireless and Monster Energy. Anheuser-Busch Budweiser and Bud Light. Jose Cuervo and New Amsterdam Vodka. Cybersecurity company SuperFile. Crypto.com, crypto wallet Exodus and futures market NinjaTrader were all prominently featured. There were gambling brands, Polymarket, Stake and Bet365. Even Starlink had its logo on the UFC mat. Fun fact: Paramount, owned by Trump bed mates billionaire father-son duo Larry and David Ellison, is paying the UFC $7.7 billion over seven years to stream its fights. Who knows what other deals lurk below the slimy surface?

More troubling World Liberty Financial, the far from crypto company founded by Donald Jr., Eric, and others made headlines after the UFC named it the official partner for the event. As the Irish Star reported, its just another reminder of just how much blatant corruption surrounds the man and his family. Trump boasted on Truth Social that the night was PERFECT!” Take a look at the photogenic UFC crowned champions Justin Ray Gaethje and Ciryl Gane and crowd – they look no different than the goons who were involved in the January 6 insurrection.”

UFC CEO White enthused: Even for the people that thought this was going to be some big political statement or something, this wasnt. This was Americans, all Americans celebrating the birthday. For people who tuned in for the first time, because it was at the White House, hopefully they liked the sport. They liked some of the guysstories.” 

After paying for the $60 million tab, and despite all the pomp and pageantry, the eye rolls and angst,” White maintained that the UFC is one-and-done in DC,” which is surprising for a company once dubbed human cockfighting.”

The Revolution Will Be Curated  

The Revolution Will Be Curated  by Cylon2036  We/Us

For generations, graffiti occupied a special place in our imagination in that it is illegal, inconvenient, and gloriously indifferent to permission. It was the visual equivalent of somebody, somewhere, rejecting the rules enough to paint over them. Then came the Denman Island community graffiti fence. 

The community graffiti fence is a magnificent civic achievement. It allows residents to experience the thrill of rebellion without anyone disapproving. No longer must aspiring vandals risk arrest, trespassing charges, or the possibility of accidentally encountering actual danger. 

Nothing says “radical dissent” like posting its etiquette on Facebook. From outlaw practice to civic amenity, this has become a carefully curated rebellion, where the greatest risk is a mild sunburn. A form of expression born from rejecting regulation and institutional approval has been repackaged for your convenience.

Citizens can now enjoy the aesthetics of transgression without any of the troubling transgression. The community gets colorful murals, local events get foot traffic, and participants get Facebook content featuring phrases such as “art heals” and “find your voice.” The only thing missing is the original point.

Authorities no longer need to suppress graffiti aggressively. They simply provide a designated area for it, complete with sponsorship opportunities and the possibility of public art grants. The message becomes clear. “Please feel free to challenge the system, exclusively on the wall we built for that purpose.”

And so the radical graffitist faces a difficult choice. Continue painting illegally and risk being condemned as antisocial, or use the approved wall and risk becoming part of the community’s cultural programming. The revolution, it turns out, has been allocated a section of fence. This is the official site of “New Radicalism.”

In this sense, the community graffiti fence may be the most successful anti-graffiti policy ever invented. It did not eradicate graffiti. It accomplished something far more ambitious by convincing a rebellion to sign a waiver. Bravo!

The Book Report

Book report 10

By A. Bae Hel

Malibu Rising

Taylor Jenkins Reid

If you have read anything by this author you know it falls into the Chic Lit genre. Daisy Jones and the Six was enjoyable, if only because it took me down some old memories of a walk on the rock and roll side of life. 

Malibu in the 1980 was no longer the beckoning light for the chill culture. The party till you die culture had taken over. The story focuses on the Riva family and flips back and forth between the parents’ time line and the siblings’ timeline. Stories about dysfunctional families are rather common right now, and this family was memorable only in the location they lived. Malibu, on the cliffs above the ocean, with a stair down to the beach. Who wouldn’t want that? The dysfunction is typical – father is an irresponsible famous face, mother is an alcoholic waiting for him to come to his senses, and the kids are growing up trying to find their place in it all.

The story is entertaining, a perfect beach read. Easy language, easily followed and expected outcomes. It does not require much of you as a reader and sometimes that is ok.

Parade of Horribles

Matt Dinnamin

 

I laughed. I cried. I cried again. And at least another time. This is the supposed final in the series, but the universe is often weirder than we anticipate.  I think the thing I like the best about this series is the late-stage capitalism satire.  Each book has mirrors to our current mess and the dungeon crawl is a perfect metaphor for our scrambling fight against the syndicate as it slides into failure.  

This is also about dysfunctional family and survival, but the dungeon family elicits more interest, more emotion and more commitment than the beach family of the other book. Carl trying to be a good man, Donut becoming a more human cat, and sometimes good people do horrible things for the greater good. How do they live with that?  Well, that is the meaning of the crawl, to remain human despite, or in spite of the overlord’s cruelty and capriciousness. 

This series looks superficially like a niche fantasy, but the complexity of themes, characters and world building slowly reveals it is greater than a story about a talking cat and a 28-year-old west coast male. It is so much more, yet defies a meaningful synopsis without sounding like a toddler telling a story.

I anticipate it might need a rereading to try to understand the complexities better. Regardless I recommend the series, though I think this one is the best of all.  I strongly recommend seeking out the audio version if you decide to jump into the dungeon. It is amazingly well done.  Plus, there is a whole sub-culture developing out there on the net if you are so inclined.

Calypso

David Sedaris

This book came up when I searched for something funny. Reviews tell me it is very, very funny.  Apparently, my humour is broken, because I did not find it funny. Especially not, very, very funny. It was mildly amusing in places, so I guess that was a bit of a win.

Here David Sedaris writes about himself and his family and his interactions with the world. He is a slightly awkward friend who either doesn’t know and doesn’t care about social conventions so makes the irreverent observations in his outside voice. Like describing a fellow passenger who is incontinent of stool on a flight. This is apparently hilarious rather than demeaning and humiliating. All it did for me was make me feel even more of a weirdo since I didn’t find his stories funny, or even understand the point. Perhaps he is just trying to convey that he, a famous writer who lives in both London and in a beach house of the east coast, is just a regular guy, like all of us. Unfortunately, for me, regular guys don’t have to luxury residences nor can they afford to summer on the east beaches and jet around the globe reading passages from their other books.  He is not relatable, and barely amusing. If I found myself sitting at a dinner table with him I would excuse myself and hide in the coat closet.

He has written a few books, and perhaps the others are more engaging. I am willing to give him another chance.  I can’t really recommend this one though, unless like many, you find the tragedy of humans amusing.

Love on the Denman Island cable ferry at 4 PM, and the young people are coming home from a long day at school.

Gabriel Jeroschewitz, May 12th, 2026. “The story you are about to hear is true; some of the names, vehicles, and dates have been changed to protect the innocence of love.”

 

Love on the Denman Island cable ferry at 4 PM, and the young people are coming home from a long day at school.

 

There is a particular hour of the afternoon when the world seems to hold its breath. The sun has begun its slow descent towards the horizon whilst the Georgia Strait glows with the colours of liquid copper and rose gold. During that time, the ferry terminal at Buckley Bay sees the usual mix of those making a weekday return trip and adventurers coming for the weekend. Leslee and I were coming back from Courtney and the dentist. Leslee was savouring the aftertaste of her dental work, a crown, but not the kind a king wears, and I chuckled at the memory of her spending a small fortune on that crown. Still, she must have felt relieved after the anesthesia wore off. We were headed for Hornby Island, our home. We had gotten to the ferry lineup early, so we were third in line to board, which would put us on the so-called bow. Still, the story isnt about the dentist or the dental work; it’s about two children, though I hesitate to call them out. Still, kids dont kiss away; these two did so with such urgency that it was suggested the world might end if they stopped. They were spotted as soon as I arrived on the ferry deck, driving my Toyota RAV up the ramp with a degree of dignity I certainly could muster. The young couple occupied what ferry workers would no doubt refer to as the bow end of the vessel—though referring to the ferry as such is almost absurd for a craft that reverses upon destination arrival. The cable ferry certainly does not feature a proper stern or bow end—it merely features two ends and a cable that pulls the craft back and forth across the water like a giant aquatic yo-yo. Nevertheless, if one were to attempt to orient oneself within the vessel, these two youngsters had claimed the forward-facing section—standing pressed up against each other like the last two people on earth to discover something wonderful whilst attempting (at the same time!) to reveal it to all who pass by.

He was tall, bless him, with hair that had both desired to curl yet succumbed to surrender following a lifetime of such fighting. Through his clear-framed glasses, he watched her face in the same way one might gaze upon a sunset or some remarkable work of art seen within a museum for which forty dollars had been paid—not entirely believing in ones luck whilst noting a slight worry that someone may tell the viewer to move along. His hands lived upon her waist—and mine certainly wasnt the only pair of eyes to note how these hands had developed their very own mind and reach towards her back as if two explorers investigating an unfamiliar land.

And she. Oh, she. So beautifully lovely that one finds oneself wanting to write poetry, though I havent written any since I was seventeen, attempting to win over a girl named Donna who wore bell-bottoms and had the scent of cinnamon gum. Her blonde hair cascaded past her shoulders despite the humiditys effort to do so—and when she tilted her head back to catch laughter at something he whispered (which Ill never know but would have given my left foot to hear), there was a quality to her joy that made the entire ferry deck feel somehow lighter.

They were indeed—in the language of our generation—all over each other. And I mean that in the most literal sense possible. Every square inch of available space between them had been eliminated—made non-existent through sheer force of desire. Their lips moved together in a rhythm suggesting either hours of practiced performance or that natural synchronicity which poets have so far unsuccessfully attempted to describe since the dawn of language. At one point, her hands made their way into his hair—and his response was to lift her slightly off the ground. Such a gesture is classically romantic—and I found myself smiling despite the aching left knee developing from leaning back in a twisted kind of way. So they couldnt see me, within the car window.

The ferry was filled with the usual ferry cargo—a handful of weekenders making their camping trips, clusters of elderly ladies from the Hornby and Denman Island QuiltersGuild upon completion of their common outing to the Courtenay Costco, and then a man seemingly sleeping in one corner of the boat whose snoring suggested some form of competitive sleeping sport. Most of the travellers exhibited good sense to ignore such a young couple—opting instead for glances and the use of phones, novels and private thoughts. But not everyone.

In this scene, I noticed a woman wearing a navy cardigan—because, of course, she was wearing such an article of clothing—as some people do to fulfill othersexpectations. The woman studied the pair of young lovers with an expression suggesting shed bitten into something sour. Her lips were pressed tightly together into near-disappearance, and she sent a nudge in the direction of her husband, who remained locked into viewing his phone with that same vacant look suggesting hed located something of far more interest than his wife might be attempting to show him. He glanced upwards at the couple but immediately returned to his phone; yet she remained watching—disapproval radiating from her in visible waves across the ferry deck.

I wanted to tell her something. I wanted to tell her that she used to be that girl once—probably—before life and disappointment and the weight of othersexpectations became calcified within her. I wanted to tell her that such a pair of children—this boy showing an earnest face and trembling hands—this girl possessing impossible beauty and complete lack of concern for othersthoughts—were performing an activity celebrated throughout all human history—one inspiring songs, poems and indeed no fewer than three of Shakespeares plays had the subtext included.

But I did not say anything—recognizing both how I was raised not to intrude upon othersbusiness and how I had a newspaper to read and that elderly gentleman’s reputation to maintain.

The girl sensed the disapproval—or perhaps she just had that extraordinary level of self-confidence common amongst teenagers who feel themselves to be the main characters in the worlds most interesting stories. Whatever the actual reason, she drew back from the kiss just enough to look at him—three cars away, I could see her eyes shine with that mixture of defiance or pure joy or both—for such aspects are often the same when dealing with young people.

Her voice was unexpectedly loud, though she hadnt quite shouted, but the clarity of her voice made everyone within earshot realize they were about to witness something, whether they wished to or not.

I dont think my father would like this.”

A pause fell within the space created by possibility. The quilters paused their efforts. The sleeping snorer stopped—for however brief a moment. The woman in the cardigan leaned forward with the predatory interest of a cat spotting an especially interesting bird.

Then she said it again—except not the same words at all.

Fuck. Fuck. Fuck. Fuck. Fuck. Fuck. Fuck.”

She said it seven times—each one creating a small bomb of liberation into the quiet ferry deck. A teenager passing on foot and wearing earbuds paused and stared. One of the quilters—Margarets friend Helen, I recognized upon squinting through the window—broke into laughter that she quickly tried to smother within her hand. The woman in the navy cardigan saw me with exactly the same expression of witnessing a fundamental violation of the natural order of existence.

But heres the thing that filled me with such unreasonable hope: the girl wasnt angry. She wasnt sad, nor even defiant or trying to shock people. She was indeed laughing—yet as she did, she pulled the boy even closer together whilst resting her head upon his chest as though the words shed uttered meant nothing more than a sneeze.

He looked down at her with what I can only describe as worship—before placing a kiss upon the top of her head, followed by looking out across the water. For just a moment, though, his eyes did meet mine.

I smiled—as did he. Then he looked away—towards the girl sporting that blonde hair and explosive vocabulary. At this point, I understood exactly how he felt.

Somewhere deep within my chest—within the region set aside for memories of my own youth—something unclenched itself and expanded. I thought again of the world in which we live today—a world of violence and darkness and entertainment focused upon reminding people even more about humanitys worst aspects. I thought of climate change and political divisions—all the price of eggs. And then I thought of these two children—this boy from Denman Island and this girl from Hornby Island who had to take no fewer than two ferries regularly to see each other—choosing such a venue and time in the presence of a whole bunch of strangers throughout history.

Power to them—I thought. I hoped their love would indeed last—though I also knew the nature of such affairs at this age and within the world as it presently waits to teach one otherwise. I hoped they remembered this moment—this absurdly beautiful moment upon a cable ferry within the Salish Sea in the Strait of Georgia while they were still young and in love—and completely unashamed of either fact.

The ferry groaned against its moorings at the Denman Island terminal. I gathered my Things. The boy and girl remained together, whispering sweet things into each others ears that prompted both grins. As I drove past them upon leaving the boat, I saw one final glimpse—her looking up at him whilst he looked down upon her—all set within late afternoon gold tones.

I gave a small wave—almost certainly she saw it, for she laughed and responded with a wave of her own.

The world may indeed be bleak in so many ways—dark, violent and featuring people in cardigans who disapprove of nearly everything. But somewhere out there on a ferry heading to Denman, Hornby Island, two kids are in love—and there is no hiding it. They dont care who knows.

That, I thought, is more than enough hope to carry me through another week.

Cupcakes & Cow Pies

A Song for Denman

Dear Friends

A Few weeks ago, our Denman Community Choir had our spring concert and my grandson, Timber and I did a duet.  Tim is 12 and is part of Poulson Moose, and is already a much better guitar player than I am, but we did a duet.

A number of years ago Wendy Boothroyd, had modified the words to John Denvers song Country Roads, and that had been one of my grandsons first real favorite songs.  We would listen to it again and again we drove.

We decided to modify Wendy lyrics, and so we sang a new Denman version.  Several people afterwards asked me to submit the lyrics to you so you could share it with others.

Country Roads  (By John Denver. /adapted by Wendy Boothroyd/ David Hayward)

Almost heaven,  Denman Island, Beaufort Mountains, beloved cable ferry

    Farmers Market,   and Bethanys sweet choir

   Stores and school and churches, so that we can thrive

DENMAN road, take me home, to the place I belong

On Denman Island,  to my family, take me home, Denman road.

Many  memories,   focus on her,   Emerald Island nestled on blue water.

    Eagles lazily,     circle in  the sky, 

    Waiting for the herring run, as kayakers glide by,  

LACON Road, Take me home….

    When Im away, in the morninhours she calls me,

    Tree Frog radio reminds me of my home across the way.

    And rollin in to Buckley Bay I get a feelin’ 

  That I should have been home yesterday,  (but the ferry broke  down)

Buckley Bay, take me home, to the place I be-long

On  Denman Island,  to my family take me home, country roads.

Chickadee and Graham     where we fish and swim

Trails for bikes and hiking, keeping us pretty trim

Peace and natures beauty all around to see

Theres no other place where I would rather be

NORTHWEST road,  take me home…

And we have a golf course, a pickleball court too

With a community hall and seniors centre just for you

Lots of entertainment,      often local too

And Corlans winery, in case youre feeling blue

CENTRAL Road.  Take me home

All the people,        help each other, 

       life is good here, far from earths great troubles

       Let us try to make this place so sweet

    We can serve each other, build a space of peace. 

BAIKIE Road, take me home…

Letter to the Editor – Edina Johnston

Dear GV Editor:

The number 1 question that comes up every year about the DIRA Community Dock is- why do I have to pay to tie my boat up to the dock? The answer is you don’t, if it’s there 6 hrs. or less. If your boat is there longer than that, you pay because an island needs a dock and it costs money to maintain it. The original dock was torn down after it fell into disrepair because locals refused to pay to use it. Denman needs a dock to:

  • Transport medical emergencies when the ferry or air ambulance is unavailable which is becoming more and more frequent. Without a dock, loading a patient from the shore to a heaving boat is not only dangerous but impossible!
  • Allow RCMP and other Emergency Responders access to Denman by boat to deal with life saving emergencies when the ferry is unavailable.
  • Evacuate large numbers of people during a disaster if the ferry can’t or won’t.
  • Allow water taxis access to pick up those needing to get to Vancouver Island when the ferry is unavailable.
  • Allow those with boats and even float planes easy access and somewhere secure to leave their boat or plane. Without a dock you would have to haul your boat out after each use or anchor it.
  • Allow Fishers to come and sell their products direct to islanders.
  • Generate revenue from tourists who come and visit.
  • For recreational opportunities for fishing, crabbing, swimming, lounging, storm watching etc.

As well, the boat ramp and green space is a well used facility that any island would be lucky to have. Those waiting for the ferry, walking their dog or needing somewhere to meet friends that has an incredible view and easy access to the beach use it frequently.

The DIRA Dock is not government funded and needs users to pay for the privilege of having this incredible amenity. An island without a dock is like being completely reliant on BC Ferries!

edijohnston@gmail.com