
Support for Cancer Patients
Support for Cancer Patients
By Veronica Timmons
After I had a breast lumpectomy the doctor told me that it was cancerous. On hearing those words my brain shut down. Fortunately, my partner Alan remembered everything and even wrote notes. This kind of support was vital over the next two years of my treatment at the Cancer Care Clinic. I am truly grateful for the people in my life who give me comfort, who I can discuss hopes and fears with or who help me find medical information. This community is full of people who have made the journey so much easier for me but I recognize not everyone has this kind of support. The BC Cancer Agency has published that 1 out of 2 people will get cancer in the next ten years as the population ages so most of us will know someone with it. Fortunately, my type of cancer is 85% curable and I have always assumed I would be in that percentage. So far so good.
Sometimes you don’t know the right questions to ask. The doctors, wonderful as they were, just didn’t have time to answer all my questions. I was lucky that a friend gave me a book on breast cancer. I still had questions so I talked to an island friend who had had it. She told me about the DI Cancer Support Group and that Friday I went to a meeting and I’m so glad I did. There were twelve of us and Dr. Tetz. Each person spoke about their cancer, treatment and current health. Everyone in the group listened closely and gave their suggestions in a kind and helpful way. I joined the group and have found it very helpful and safe. We pledge that nothing we say will be repeated.
Once Covid struck the weekly Friday meetings at the Anglican Church moved to Zoom (Sundays at 11am). Not everyone has a computer or likes Zoom so we have decided to meet face to face on Friday, December 17th at 1:30pm in the meeting room at the Anglican Church. All covid rules will be followed. Please contact me for more information or to be put on our list – 335-1828 or vtimmons@telus.net.
Another support for cancer sufferers is the Farm to Family program. This volunteer program cooks nutritious frozen ready-to-serve soups, stews and casseroles every other Sunday (using as much Denman produce as they can). Meals are distributed at no cost to folks who need of this support. Contact the Better at Home program at 250-898-0245 to order.
Bronwyn Schuster: Let the eye breathe
If you are new and want to let everyone know you’ve arrived, you might try doing a mural, a big one, preferably on the side of a public building that can’t be missed. Bronwyn Schuster arrived on Denman just over a year ago. Thanks to Covid relief funding for artists from Arts BC in early 2021, the south wall of the Denman Seniors Activity Centre is now completely covered by what Bronwyn describes as her “love letter” to the Pacific herring. A first experience of the annual herring spawn was the inspiration, the colours of the milt-infused sea, and the passionate efforts to conserve a threatened natural wonder. Where there was a blank wall of cream-coloured cement blocks, a sea spirit now gracefully feathers a school of herring through their arms as they rise towards the moon against a luminous night sky. The composition commands the wall with a calm, rhythmic sweep in vivid, harmonious tones of purple, yellow, and russet red. It has a magical quality that owes something to the tales of Han Christian Andersen and the Danish folklore Bronwyn came to know as a child, strongly influenced by her Danish grandfather. “I think of the sea spirits as preserving and protecting what they are themselves a part.”
The mural was one of four designs submitted to the DSMS board, each quite different and equally assured, an indication of her imaginative range.
Bronwyn’s involvement with murals began at a 2017 Vancouver mural festival where training was offered to encourage artists to translate their art into murals. Murals have technical challenges of scale, architectural context, and materials, especially if they are outside. Scaling can be done several ways: by blowing the design up using projection, mapping to a grid, or just making your own map of reference points with freehand markings. The sheer size of the Activity Centre wall looks daunting in that regard. Fortunately, Bronwyn found that the cement blocks of the wall formed their own grid, with two pilasters, the full height of the wall, adding vertical references.
In her own words, the design is “graphically inspired” which is to say, the mural is a gigantic drawing. If so, Bronwyn’s approach to drawing itself is carefully considered, even, one might say, analytical, and not just a freehand riff. She says she draws at three different levels: figures, seen as shapes, tonal variation, and variation of line. She tries to achieve balance, and to create room for “the eye to breathe” orchestrating clear space with detail. This accounts for why the Activity Centre mural is so immediately comprehended, with a restful effect. As an ecological fairy tale, it is a highly structured graphical narrative.
Bronwyn comes to art through her parents. Her mother is a painter, her father created geometric art in his youth. She thought she might do other things with her life, but she was always drawing, and ended up taking a year of art education at the Swedish Academy of Realist Art.
The arts program was rigorously traditional, stressing the practical skills needed to produce figurative, “realist” art, without any academic dimensions (essays, seminars and what have you), on the model of the atelier. But she wanted the skills to do better portraits, one of her primary interests, so the program fit the bill. “It was not great for my creativity,” she recalls, but she got what she wanted and thoroughly enjoyed herself, even though it took her three or four years “to recover my voice.” She went on to study in Vancouver at the SmArt School, founded in 2011, to work with those art students, self trained artists, and working professionals who “find themselves stranded and looking for more.” There she worked on her illustration which she describes on her website as “a blend between magical fiction and everyday realism, sometimes infused with a dash of humor.”
Bronwyn used to do a lot of paintings “for their own sake”, displayed in galleries. The Denman Craft Shop has a few miniature paintings, and she is working on a series of alphabet illustrations using mermaids for each letter. Some of her Space Cat paintings went surprisingly viral on the net. But she also loves taking the requirements of others and conceptualizing them through art, the Activity Centre mural being an outstanding case in point. In Vancouver, she was making about half her income from design projects. Now she is training on game art, the conceptual realization of characters or objects in one dimension (such as board games) and 2-D where the technical demands are relatively simple. Sword-guns, antler-handled daggers with nasty blades – Bronwyn’s got what they want: imagination armed with a paintbrush. The big money is in 3-D games, but that doesn’t interest her right now.
We come to the inevitable question, Why Denman Island? Part of the answer is Eastend in SW Saskatchewan, on the edge of the Cypress Hills, which she describes as ‘a small town of five hundred people and a Tyrannosaurus Rex’ (and birthplace of famed author Wallace Stegner). Her parents moved there from Banff and Calgary. She loved the sense of community, of getting to know people (something not so easy in Vancouver, she feels), even if she is also perfectly content to simply go off on her own into the woods.
There is something more given Bronwyn’s folklore heritage. “I grew up,” says she, with a knowing smile, “in a pagan household.”

Bronwyn Schuster by Nel Robin

Occult Cowboy – Paladin of Justice

Herring Moon
Home Sweet Denman
Home Sweet Denman
by Thomas Provençal
Denman is a solitude,
an island on its own,
even so a multitude
of people call it home.
There is a mix of culture
yet a feeling, to be clan,
to share the edge of this dear rock,
take root into Denman.
The peace that comes with solitude
is cleansing for the soul.
Energies of flora and fauna
amplify their role
in keeping all of us in tune
with how to live our dreams.
Mother Nature’s at the core
and growing through the seems.
We cater not to tourists
though we’re along the way
of merry masked marauders
googling for Tribune Bay.
We prefer to gather
in self-appointed groups;
no need for pubs or parlours
when pot lucks dish out soups.
After Hornby traffic dies
our roads become our own.
They return to loneliness;
we’re usually found at home.
A year in review for the Earth Club Factory
By Sheldon Rempel
Again it’s been quite a year at the Earth Club Factory, trying to navigate what a tourism/ community business is in this ever changing reality we live in.
I have to say that it is amazing to see all of the components of the Earth Club Factory all in one spot. With a business built on the philosophy of biodegradable, sustainable, appropriate technology, organics, art, music and salted in a bit of hypocrisy because none of us can be perfect but we try and do the best we can.
Really none of this can happen without a supportive community and supportive staff, both of which have been exemplary.
Much has been done in the last year including a new website, finishing off Ben’s pool room, a lot of work on the outdoor performance area, heck we even built a boat at the front of the house.
Our go fund me project for our marquee tent was successful and there she sits hosting a variety of events even in the depths of winter, crazy idea but the music needs to happen. Incredibly frustrating but a reality is having to abide by the Covid restrictions when it comes to performances.
Our team in the restaurant is an incredibly talented bunch of people who care deeply about what they create and how they create it. The challenge of pulling off international meals where it’s a complete learning curve on how to construct the menu, taking days of planning and organization is a wonder to behold. The vegan food gluten-free and organic range in our restaurant is extensive and done with such passion.
In the depths of the winter with administration taking up oodles of time, redeveloping the bulk food area so it is much more organized and then putting together a POS system to better organize the operations. The system will soon go live so after a few learning curves and the usual bumps along the way this should streamline and provide better analytics.
With Christmas right around the corner please drop by take a look at the eclectic line of giftware that we put together. A couple of the more popular things around this time of year are gift card, pie or cookie card. Can you imagine getting a pie or bag of cookies a month for a year, I think that’s a great gift.
Finally, thank you all for your support both staff and community. We really couldn’t of done this without you. Have a very prosperous 2022 (prosperous doesn’t always mean money).
New Books at Denman’s Dora Drinkwater Library
New Library Books!
It’s getting to be a lot like….. the time for sitting in front of the fire with a good book. The Dora Drinkwater Library (located in the Denman Hall building) has just bought all kinds of new books. If you haven’t been there lately, come and check out the new books.
You must wear a mask, but we’ll give you one, if you don’t have one. Sanitize your hands, and stay 6 feet apart from others, if possible.
We decided to emphasize timely topics this purchasing , so you can learn more about climate, ecology, reconciliation, and racism among other things. Here’s what we’ve added to books you can borrow if you live on Denman: Injun – Jordan Abel (Poems about First Nations)
Silent Spring – Rachel Carson
The Rabbit Listened- Cori Doerrfeld
The Innocents – Michael Crummy
The Serpent’s Tale (AKA “The Death Maze)- Ariana Franklin Relics if the Dead (AKA “Grave Goods”)- Ariana Franklin
The Fire Next Time – James Baldwin
This is the Fire – Don Lemon
Julian is a Mermaid – Jessica Love
Braiding Sweetgrass – Robin Wall Kimmerer
The Overstory – Richard Powers
Eat Like a Fish – My Adventures as a Fisherman Turned Restorative
Ocean Farmer – Bren Smith
A Gentleman in Moscow – Anor Towles
The Patch: People, pipelines & the Politics of the Oil Sands – Chris Turner
At the Bridge – Wendy Wickwire
In addition to that list of books we just purchased, which will certainly make you well-informed, Matsuki Masutani came in the other day and donated a copy of his new book of poetry! He is a local author whom I know you’ll enjoy.
The volunteers are getting lonely. Pay us a visit and check out some books.
Sharon Mackin
Phoenix Riting! – December 16th, 2021
Being human nowadays is hard, especially in a tiny community. Once upon a time, small communities or tribes were the human norm, but my, how things have changed. Now, we participate in what we like to call ‘global community’ (an oxymoron). Emotionally and cognitively, our brains can only relate to a handful of people–a hundred and fifty or so–because for millions of years of evolution, that was as big as communities got. Now, we struggle to juggle thousands of connections, many with others we never meet and likely never will. There isn’t much emotional space left to process face-to-face relationships with real attention and integrity. Too much is getting thrown under the bus.
We get into trouble when we project our own values, developed from our personal histories and belief systems, onto the community where we happen to live. We assume that what we value is ‘right’ and that other’s differing values and beliefs are wrongheaded. I am sure it’s easier to feel ‘right’ when we are directly connected to millions of others who agree with us. Our ability to stay so connected around the globe, while undeniably awesome, has to compromise our ability to negotiate values with our neighbours.

Modern communities all tend to lack a cohesive identity, and Hornby is no different. Our population turnover is large. A lot of residents come and go, in part because of housing and economic uncertainty. We aren’t the same bunch we were just a couple of years ago, and each batch of new people bring their own norms which differ from those of previous versions of this community. This Hornby of the twenty-first century is decidedly not so free and easy as the old Hornby of the twentieth. What are our shared norms and values? Do we have them? What will it take to create a set of workable guidelines that we can all agree on?
People are so different, the ways we view reality are so diverse, and despite what we may believe, there is no universal standard of right or wrong, other than the most basic ‘don’t lie, steal, cheat, hurt or murder anyone’.
I remember the ‘old Hornby’ that I fell in love with, and I still believe in it. The values we shared centered on protecting our shared natural environment, encouraging innovative and creative building, and defending our right to define our unique island lifestyle against intrusive outside authorities. Many folk lived closer to the edge, building or inhabiting funky old homes that now would not be considered habitable, but it was considered more important to be free and alive than safe and comfortable. Had we wanted safety and comfort, we wouldn’t choose to live in such a remote location. We made our own rules. Now, no place is remote anymore.
Is it better to stand strong for freedom and integrity, or for safety and security? What are we willing to sacrifice for what we value most? How can we share and sift through what is most important to each of us, to achieve a consensus that works for all? Is that possible? I look forward to another Hornby visioning project, and encourage everyone to take time to think and talk about what we want from, and what we have to offer to, our community.
As always, I want to know what you think! Contact me with feedback, questions and ideas for columns at phoenixonhornby@gmail.com.
This Week in the Garden
This Week in the Garden, by Maxine Rogers
As I write this, it is December the sixth, Saint Nicholas’ feast day. It is snowing, the first snow of the winter. Saint Nicolas was able to slip about, almost unseen, last night on his white horse as he goes from house to house and fills the children’s wooden shoes with candy and nuts.
If this does not happen at your house, it is probably because you failed to leave some hay in the shoes for his horse or maybe he just has a preference for people from the Netherlands who celebrate his feast day with gusto. Saint Nicholas usually leaves gingerbread, marzipan and chocolate letters for good kids. I expect bad kids may find a switch or a lump of coal in their shoes. I got some chocolate this morning.
As it is cold and snowing out you may well ask what am I doing in the garden now? Well, I am growing turmeric and ginger plants. These plants take ages to grow so I started them in October. I bought organically-produced ginger from Peru and picked out the roots that looked to have buds. Then, I placed the roots in a bowl of warm water to get the roots re-hydrated. This is an important step in waking up the roots. The next morning, I put the, now swollen, roots into 4 inch pots with my home-made potting soil. It took them almost 6 weeks to push up some shoots.
I did the same with the turmeric roots but my husband was able to find some for me that had green shoots on them so we started out much farther ahead with the turmeric. I keep both sets of starts in my Annie Siegel propagator. This is a simple set of shelves rigged to hold shop lights above each shelf. This is where I start my transplants from seed. The propagator is located in the laundry room and is not especially warm but the ginger and turmeric seem to be doing okay because they have good light conditions. The plants need to be kept moist but not soggy.
Come the first warm days of spring, I will pot my ginger and turmeric up in wide shallow pots such as people use to force bulbs. The pot does not have to be more than 4 inches deep but it must be wide as the rhizomes of ginger and turmeric grow across the soil, not down. I give them liquid fertilizer to keep them growing strong. The transplants will now go on hanging shelves in my polytunnel and they will stay there for the whole growing season.
The plants are ready to harvest when the centre dies back or you can dig up a root from the outer edge of the pot from time to time for a smaller harvest. Full maturity can take 16 months and probably more in our climate.
You may ask why am I bothering to grow such exotic spices when I could just go to the supermarket and buy some? Well, getting ginger and turmeric here, fresh from the tropics, means flying it up and flying is extravagantly polluting, not to mention expensive. Fresh spices may become too expensive for me to purchase and they may hit supply chain disruptions due to the Covid flu because you never know what supply is going to go short these days.
Both ginger and turmeric have medicinal qualities that I would not want to be without. I use both almost every day and feel better for it. They are important spices to make Indian and Chinese dishes which is more important now that there is so much less travel going on. We have to bring travelling into the kitchen where it will improve our health and delight the family.
I am also growing peppers, both sweet and the scalding-hot Habanero peppers. Habanero peppers are, on average 76 times hotter than a Jalapeno pepper. I lifted some of the best looking pepper plants out of my polytunnel at the end of the summer and potted them up in large pots. They have the tallest shelves in the Annie Siegel and are still growing. I have to prune their tips back.

I recommend growing the Habanero pepper which I grew on a whim last spring. It took ages to get the peppers going and they needed a lot of liquid fertilizer to set a crop but once they did, they produced a huge quantity of really hot fruit. I used the peppers to brew a fermented hot sauce and now we are self-sufficient in hot sauce.
Peppers, like tomatoes, are perennial plants but due to our short growing season, we grow them as annuals. If a gardener can keep a pepper plant going over the winter, that gardener will be setting a mature plant out in the greenhouse at the same time as other gardeners are starting their pepper seeds.
If I can get my peppers through the winter, and they are looking pretty good, I should be able to get a crop of really ripe peppers in quite early. The habaneros are so prolific, I don’t think there is a household outside of Mexico that would need more than one mature plant. I am drying some of the fruit for chili powder and to use in rubs for roasting meat. Dried and fermented peppers are full of vitamin C and quite useful in battling colds.
I also grow Christmas cactus, spider plants and more Aloe Vera than I ever imagined. With the Christmas cactus, I take off a few leaves and leave them a day or two to wilt. Then, I pot them up and treat them like the adult cactus. They get showered once a week and given a liquid feed. They make nice gifts. Our spider plants are also showered once a week and given liquid fertilizer. The plants are so happy that they are flowering and growing long vines with baby spider plants growing from the vines. I just break these baby plants off and pot them up.
The Aloe Vera is a bit of a problem. I split it a couple of years ago into more than 40 plants and gave them away at the Garden Club. Everyone should have an Aloe Vera in the house as the sap from the leaves is a really good dressing for burns and also makes an excellent facial mask with no plastic being involved at all. Anyone wishing an Aloe Vera plant should give me a call 335-1088 and I will pot one up for you.
An Unpainted Portrait, Cut Down
Cut Down To Size
The light streaming through my radioactive Home Office curtains broke in roughly, kicked the crap out of the room, and savagely shook me awake before laughing in my face. I’d never woken up in an entirely orange environment before, and I must say that it was a surreal experience. I struggled out of the lumpy bed, stumbled to the window and opened the curtains just a crack to allow the full spectrum of light to flood in. For the next two minutes everything turned blue while my retinas and brain adjusted.
After our morning parade and inspection during which we were shouted at by a man whose voice suggested that a small rodent had nested in his underwear and was eating its way out, we changed out of our best uniforms and returned to the classroom. A few minutes passed until Tendril materialized in the doorway, wearing his canoe-sized indoor boots. “Follow me!” he half-shrieked, and withdrew. Scrambling to catch up with him, we saw him beetling down the corridor, cross the foyer and then head into the accommodation building. I wondered what fate awaited us as we trudged along the dismal administration corridor past open office doors through which unhappy-looking people behind desks piled high with paper regarded us with mute appeals for rescue in their eyes…
Within a few seconds, all became clear as we arrived at the very last door. The room was situated at the furthest corner of the building from all other forms of life. More than a little ominous. Constable Tendril explained thoroughly: “SHUTUP!”; which, I think you’ll agree, covered every eventuality. “Hair cut!” he said without any further adornment. Hair cut?! Throughout the selection process I’d been keeping my hair very short by the standards of the day. Only the weekend before I’d taken myself off to an old-time barber for an even shorter haircut, and the good fellow had done everything except take off the top of my skull with a saw. I’d taken some verbal flak as a result, both from my girlfriend and my friends. I looked quite ridiculous already and therefore, I thought, was sure to be spared. However, my hair – and my imagination – was about to be upgraded.
The ‘barber’ – I use the term with a liberal dose of creative licence – was a strangle little fellow. At least 107 years old, he had obviously been performing this function since the Boer War, from which era he had forcibly dragged his favourite hairstyle. We didn’t know at that point that it was his only hairstyle, but we would find out all about it in the not-too-distant future. To add to the dimly-lit Vincent Price atmosphere, he wore an enormous built-up boot on one foot and this clumped ominously on the vinyl floor as he worked his way around an ancient red leather and steel chair of torture. Apparently, the constabulary budget didn’t run to a huge pipe organ and demonic organist, or else I’m sure we’d have had some mood music to accompany our savaging. Subsequent enquires revealed a rumour that when they were building the FTC accommodation block in the late sixties, they had found him cutting hair amid the ruins of his old barber’s shop which had sat next to the convent. Expediently, they’d built the structure around him. From time to time, they fed him recruits to prevent him from wandering out into the street.
The only tool in use that day was a very large – and impressively old – electric hair clipper. Made of low-grade pig iron and Bakelite, it came in at an approximate weight of 30lbs and an output of around forty-eight thousand BTUs. I knew this because I could feel the warmth of it across the room. I’d once insured things with less potential for disaster. The heavy-duty cable for it looped over the barber’s shoulder and writhed across the floor like a thick, black snake. It then disappeared into a hole, and, I mused, into the cellar which held a Messerschmidt aero-engine converted into a generator. The floor vibrated ominously.
As the first sacrificial lamb, I waited pensively for the onslaught upon my head. Stumbling forward when beckoned, I assumed an emotional foetal position. I was welcomed; “Sit there, lad.” A loud ‘CLACK!’ and a slight change in the floor vibrations signified that the clipper was activated. With the skill of a blind blacksmith after a few too many jugs of scrumpy, the clumping, wheezing butcher – sorry; barber – set about what was left of my hair. As the Messerschmidt hummed beneath us, the large, blunt and extraordinarily hot clipper buzzed around the back of each ear, my sideburns and collar line. From time to time instead of cutting, he would – presumably for his own entertainment – catch and pull a few hairs out. My flinching made him grunt with apparent satisfaction.
There was, of course, no mirror available for my assessment and approval of his efforts. There was no “Can you just take a bit more off the sides?” or “Leave that as it is please.” I would have to wait until I reached a washroom to check out the damage. After several minutes, I was finally released by Charlie Clipperhands and climbed out of the chair. There seemed to be far more hair on the floor than I had been carrying around on my head before the process began. This worried me. With a dry mouth, I staggered and stumbled past my wide-eyed, uncharacteristically silent colleagues and along the corridor. Setting aside all efforts to retain my dignity and holding on to door frames for support, I made my way to the nearest washroom, next to the public telephones. There, I found a much-needed reflecting device and slowly looked up. It was not a moment without inner turmoil.
The hair on top of my head had mysteriously been left quite alone and now rested in splendid isolation like a fluffy little crown atop a mountain of bristly skin. Far, far below sat my suddenly lonely ears. It looked as if I’d pushed my head into a giant electric pencil sharpener and I now resembled ‘Bert’ from Sesame street. Further examination revealed five or six little chunks of skin missing from parts considered unimportant by Crumpton’s Sweeney Todd. In fairness, I was only bleeding a little, in accordance with standing orders which prohibited recruits from engaging in excessive exsanguination without special authority from the Chief Constable. Aside from that, in a remarkably short space of time, I’d been turned from a relatively normal human into something resembling a chimney pot with a large, abandoned bird’s nest on the top.
A short time later, seated back in the classroom, I had the perverse joy of watching my bemused and emotionally tattered colleagues as one by one, they returned from the same shattering experience. Their expressions ranged from disgust to bemusement, from bewilderment to outright alarm and in one case, nausea. I took a growing satisfaction from each hairdressing disaster as it became clear that, again, I’d got off relatively lightly. Maybe the old boy hadn’t yet warmed up properly when he mauled my head. The haircuts – all truly appalling – ranged from the mediaeval page boy (Mark, bless his cotton socks) to the Brighton Rock skinhead. Bruce – the skinhead – looked more confused than anything else when he finally turned up, and with a nervous, unconvincing laugh said “Ah told ‘im…ah said: ah only need a fookin’ polish!”
Moonlight Madness, Friday Dec.17th
Moonlight Madness——Friday, December 17 from 5p.m until 9-ish
Hurrah! Hurray! Again we will light up the night on the evening of December 17 with our Denman Island version of Moonlight Madness. If we are graced with a clear sky we will also be lit up by a waxing, almost full moon. This is an invitation to all lunatics to come out and play. Six island institutions will be open from 5:00 p.m. to 9(ish) p.m. to serve you. Abraxas Books & Gifts is offering 15% off its entire stock excepting cafe and consignment items. Tachi is offering door prizes too! Right next door the Denman Craft Shop ladies will be open and ready to serve you hand(craft) and foot. You are invited to Denman Hardware for Christmas cheer. To celebrate the light they offer lanterns, flashlights, candles and Christmas lights. They’ve got lots of stocking stuffers on the shelves, as well as ho ho hoes and garden supplies. They will also have a free draw for a gift basket.
Across the street smiling Sylvie Schroeder will have her door open. Go say hello and happy madness, she will likely have a treat for you. The General Store will be ready for you as well—Jennifer and crew will have their Madness hats on. Following the luminarias ‘round the corner stop in at the Art Centre. Donna is planning an activity for children inside, while vendors will occupy the porch. If you wish to vend on the porch please contact me at 335-1802. Fireweed will be there with whatever is left of the Animal Sanctuary fundraising calendars she has created. Get one while you can, supplies are limited and support a heart-full endeavor.
Finally, the Earth Club Factory Guest House/Bistro will be open serving food and drink. If it’s a nice night they will have a fire going outside to warm the evening and hopefully inspire some song. Donna and Sheldon weren’t sure who but they hope to have musicians inside the venue to entertain diners from 5-9. For me it’s always a pleasure to walk the luminaria path up to the Bistro to enjoy the fire towards the end of the evening. I am grateful as well to dine there with my crew after setting out and lighting the 300 luminarias. Please come out and enjoy this delightful island tradition, doing our part to keep Denman weird(er).










