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Caitlin Johnstone – Notes from the edge of the narrative matrix

It’s not really deniable that western civilization is saturated with domestic propaganda geared toward manipulating the way the public thinks, acts, works, shops and votes. Mass media employees have attested to the fact that they experience constant pressure to administer narratives which are favorable to the political status quo of the US empire. The managers of empire have publicly acknowledged that they have a vested interest in manipulating public thought. Casual naked-eye observation of the way the mass media reliably support every US war, rally behind the US foreign policy objective of the day, and display overwhelming bias against empire-targeted governments makes it abundantly obvious that this is happening when viewed with any degree of critical thought.

To deny that these mass-scale manipulations have an effect would be as absurd as denying that advertising — a near trillion-dollar industry — has an effect. It’s just an uncomfortable fact that as much as we like to think of ourselves as free-thinking sovereign agents immune to outside influence, human minds are very hackable. Manipulators understand this, and the science of modern propaganda which has been advancing for over a century understands this with acute lucidity.

By continually hammering our minds with simple repeated messaging about the nature of the world we live in, propagandists are able to exploit glitches in human cognition like the illusory truth effect, which causes our minds to mistake the experience of having heard something before with the experience of having heard something that is true.

Our indoctrination into the mainstream imperial worldview begins when we are very young, largely because schooling is intertwined with the same power structures whose information interests are served by that worldview, and because powerful plutocrats like John D Rockefeller actively inserted themselves into the formation of modern schooling systems

Our worldview is formed when we are young in the interests of our rulers, and from there cognitive biases take over which protect and reinforce that worldview, typically preserving them in more or less the same form for the rest of our lives.

This is what makes it so hard to convince someone that their beliefs about an issue are falsehoods born of propaganda. I see a lot of people blame this problem on the fact that critical thinking isn’t taught in schools, and I’ve seen some strains of Marxist thought arguing that westerners choose to espouse propaganda narratives because they know it advances their own class interests, and I’m sure both of these factor into the equation to some extent. But the primary reason people tend to remain committed to their propaganda-installed perspectives actually has a much simpler, well-documented explanation.

Modern psychology tells us that people don’t just tend to hold onto their propaganda-induced belief systems; people tend to hold onto any belief system. Belief perseverance, as the name suggests, describes the way people tend to cling to their beliefs even when presented with evidence disproving them. The theory goes that back when humans lived in tribes that were often hostile to each other, our tribal cohesion and knowing who we can trust mattered more to our survival than taking the time to figure out what’s objectively true, so now we’ve got these brains that tend to prioritize loyalty to our modern “tribes” like our nation, our religion, our ideological factions and our pet causes.

This tendency can take the form of motivated reasoning, where our emotional interests and “tribal” loyalties color the way we take in new information. It can also give rise to the backfire effect, where being confronted with evidence which conflicts with one’s worldview will not only fail to change their beliefs but actually strengthen them.

So the simple answer to why people cling to beliefs instilled by imperial propaganda is because that’s just how minds work. If you can consistently and forcefully indoctrinate someone from an early age and then give them a mainstream ideological “tribe” with which to identify in their indoctrination, the cognitive glitches in these newly-evolved brains of ours act as sentries which protect those worldviews you implanted. Which is exactly what modern propaganda, and our modern political systems, are set up to do.

I often see people expressing bewilderment about the way the smartest people they know subscribe to the most ridiculous propaganda narratives out there. This is why. A smart person who has been effectively indoctrinated by propaganda will just be more clever than someone of average intelligence in defending their beliefs. Some of the most foam-brained foreign policy think pieces you’ll ever read come from PhDs and Ivy League graduates, because all their intelligence gives them is the ability to make intelligent-sounding arguments for why it would be good and smart for the US military to do something evil and stupid.

The Oatmeal has a great comic about this (which someone also made into a video if you prefer). Importantly, the author correctly notes that the mind’s tendency to forcefully protect its worldview does not mean it’s impossible to change one’s beliefs in light of new evidence, only that it is more difficult than accepting beliefs which confirm one’s biases. It takes some work, and it takes sincerity and self-honesty, but it can be done. Which is happy news for those of us who have an interest in convincing people to abandon their propaganda-constructed worldviews for reality-based ones.

Sometimes just being patient with someone, showing empathy, treating them how we’d like to be treated, and working to establish things in common to overcome the primitive psychology which screams we’re from a hostile tribe can accomplish a lot more than just laying out tons of objective facts disproving their believed narrative about Russia or China or their own government or what have you. 

And above all we can just keep telling the truth, in as many fresh, engaging and creative ways as we can come up with. The more we do this, the more opportunities there are for someone to catch a glimmer of something beyond the veil of their propaganda-installed worldview and the cognitive biases which protect it. The more such opportunities we create, the greater a chance the truth has of getting a word in edgewise.

 

My work is entirely reader-supported, so if you enjoyed this piece here are some options where you can toss some money into my tip jar if you want to. Go here to buy paperback editions of my writings from month to month. All my work is free to bootleg and use in any way, shape or form; republish it, translate it, use it on merchandise; whatever you want. The best way to make sure you see the stuff I publish is to subscribe to the mailing list on Substack, which will get you an email notification for everything I publish. All works co-authored with my husband Tim Foley.

 

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Featured image via B Rosen (CC BY-ND 2.0), formatted for size.

Circle Process (Part 1)

            CIRCLE PROCESS                                        Sally Campbell      

Circle processes truly exemplify restorative approaches. Circles are about the intentional creation of safe, supportive space to talk about what actually happened in a conflict and what were its emotional and other impacts. They are structured to foster careful listening, empathy and acknowledgement, helping the parties to avoid defensiveness and build understanding. We can all learn from collective wisdom rather than being prisoners of our own narrow perspective. Acceptance of responsibility for harms caused is a pre-requisite for a circle gathering. Circles help people to listen deeply to differing perspectives in an atmosphere that promotes dialogue rather than debate. 

In the West, the general culture often manages conflict in an adversarial way, and that mindset favours debate – expression of oppositional viewpoints, tendencies toward black and white thinking, a winner and a loser. The Drama Triangle gets activated. Healing ways of validating, expressing and acknowledging powerful feelings are placed on the back burner or ignored altogether. Punishment and revenge take precedence over accountability, forgiveness and closure. No wonder so many people are conflict avoidant! Why would you take the risk?

As well, our formal system for addressing conflict places a judge or arbitrator in a position to decide who is right, who is wrong, once again diminishing human agency. We all know that creating outcomes which work for everyone is a lot more satisfying. That kind of involvement leads to commitment to making the outcome work. It leads to agreements that are more likely to be honoured. When designed with care and attention, circles can be a highly effective and deeply satisfying way of problem-solving. As a mediator, I often tried to incorporate circle approaches into my work.  They were especially valuable in estate, family business and land-sharing mediations, where relationships were critically important and ongoing. I created a conference workshop called “Multi-party mediation: Shaping a Line into a Circle” which pretty well said it for me.

Circles combine both old and new wisdom. They have been used by indigenous cultures worldwide for millennia. Today’s circles are informed by current ideas about consensus and interest-based approaches. There are community justice and peacemaking circles, healing circles, youth circles, reconciliation circles. Sometimes just incorporating the core principles of circle process into addressing an interpersonal conflict can be helpful. Relationships always matter in conflict, and circles honour each person’s value and dignity.

I worked with a framework of five basics of circle process: circle keeping, ceremony, guidelines, talking piece and consensus.  The framework is drawn from and beautifully articulated in the book: Peacemaking Circles: From Crime to Community, by Pranis, Stuart, & Wedge. The authors name these basics “the outer frame of Circles”. Using a tree metaphor, they describe this frame as the “trunk of the tree”. The values and principles that form the core philosophy (the “inner frame”) permeating circle processes are described as the roots of the tree. What grows from the roots and truck is the actual circle process.

As well, these ideas are drawn from my training in mediation and restorative practices, from learnings received from Indigenous colleagues and communities, and thirty-five years’ experience as a mediator and facilitator.

Circle Keeping

Keepers of the circle bear similarities to, but aren’t the same as facilitators and mediators. Keepers help the circle live up to its highest potential. They hold the space so that people can speak from the heart and listen to one another with respect. They manage the preparation for the circle and ensure that everyone has access to needed information beforehand. With participants, they decide when (and if) everyone is ready to hold the circle. They help the group set its guidelines with the understanding that everyone in the circle has responsibility for “keeping” it. 

They help promote a balanced dialogue, ensuring that the full range of interests is expressed. They help maintain focus and help regulate the pace of the dialogue. They do not dominate or control; instead, keepers use the talking piece, the guidelines, and the underlying values and principles of the circle to create an environment where trust is built, people can speak honestly, and the collective wisdom of the group can emerge to develop a shared understanding and craft a way forward. Circles help with closure.

And because the circle belongs to everyone, keepers too are a part of the circle and able to participate in the dialogue. Keepers are not expected to be “neutral”, a particularly Euro-centric concept. As the authors explain: “Circles treat issues around bias and neutrality differently. Instead of asking keepers to disconnect equally from all parties, Circles call upon keepers to make an equal commitment to each participant in the quest to respect all interests. Equal commitment serves a process devoted to building relationships better than a strategy of detached neutrality, which would be inconsistent with the Circle view that all things are connected and cannot be separated.” (Pranis et al.)

This means that keepers can and do offer their own perceptions and stories. They may express how they are feeling. They don’t use their role as keepers to impose their views, but they are expected to participate and speak from their own voice.

Next week: Part 2 Circle Process

Two Steps Backwards: Forestry “Reform”: Bill 23

Ecologist Suzanne Simard

Two Steps Backwards: Forestry “Reform”: Bill 23

by Eartha Muirhead

The Vancouver Sun, on January 29, 2022 published an article about Forest Ecologist Suzanne Simard. I am always happy to know her work is getting more publicity; especially her statement that “the first thing is, clear-cutting should be off the books going forward.” Simard has always been and still is a threat to the status quo. Last fall, government lawyers, in response to her testimony on behalf of the Fairy Creek blockades, actually claimed that Simard is not an expert on forestry.  Katrine Conroy has ignored everything Simard and many other scientists have discovered about ancient forests and this becomes clear when you read the NDP’s largely unpublicized new “talk and log” Bill 23 and Bill 28. These “new” changes are a waste of paper and human potential.

Forestry Minister Katrine Conroy

Included in the article is mention of the “Forest Minister’s introducing changes to the Forest and Range Practises Act” and “a plan to defer old-growth logging on a path to protect critical old-growth habitat.” Yves Mayrand, a retired lawyer, wrote the attached critique of the latest forestry “reform.” 

Analysis of Amendments in Bill 23 – YM 8 December 2021

This is a quote from his letter to me: “I do not believe that the traditional media, which includes CBC, will have any inclination to publish anything on Bill 23, or on Bill 28 substantially amending the Forest Act (passed by the Legislative Assembly of British Columbia in a  mere 10 days just before the Xmas recess), or anything meaningful on forestry reform.  Let us face the hard facts:  this BC NDP government does not give a hoot about the public interest, the only forestry legislation that government passes in warp speed is first vetted only by the forest products industry, and there is no MLA in that Legislative Assembly with a strong enough spine to rise up and question this truly non-democratic government!” If you attempt to read the Bill, have a legal dictionary by your side to help decipher the machinations of unbearable corruption. 

 

 

For you on Valentine’s Day

For you on Valentine’s Day By Dante Ambriel

February 14 is the feast day of Saint Valentine which has deep roots in our pagan past.

Marking the first day of Spring, when work in the vineyards began, it was said wild love birds proposed to each other on that day.

Saint Valentine became the Saint of Spring, good health and the patron of beekeepers and was said to stir life deep into the very roots of plants which began growing on this day.

Now, celebrated globally as the Day of Love, I want to offer to you a love story that I wrote, won an award for and then a grant to be produced as a virtual play which was to be presented online.

For the last six months my play/film has been under contract and out of my control and could only to be seen as a pay per view online.

But now I am free to offer it out without any cost to anyone.

So, please think of it as a moving Valentine Card to this community.

When I was commissioned to produce the film, I had to abide by certain rules dictated by the constraints of Covid.

No stage or live actors.

Everything had to come from the internet and be produced digitally.

I had to think creatively and learn about the digital world which I knew nothing about.

Out of these restraints came Virtual Ecstasy – a 35 minute kinetic collage film that follows three people in their quest to find love as they explore virtual reality.

I hope that you enjoy it and the amazing special effects towards the end. https://www.youtube.com/watch?v=fRBuMbaiYdM

You can also find our two musical albums The Genesis Moment https://www.youtube.com/watch?v=oEGSwX4PvsY https://www.youtube.com/watch?v=MLHmutwH4DY

 

Summer Gallery Plans for 2022

 Summer Gallery Plans for 2022.

The Gallery will be OPENING this Summer to welcome established and new artists to show their work.  There may be a few changes to the regular routines to work around the COVID-19 restrictions, but we are confident that everything will be fine!  So let’s get going on this.

We are looking to exhibit work in all media and encourage you to have your work for sale.  We accept solo submissions, but we love to have artists collaborate to plan a group show as this gives us a better opportunity to show more artists’ work.  In fact, sometimes we put two artists together when they work in different media.

The Summer Gallery committee provides advertising, a curator and volunteers to sit at the Gallery, so please consider applying for a space as all you need to do is bring your work!

Please submit your proposal, which must include photos of your work, to my email address jascruton@gmail.com by Tuesday March 22nd at 5pm.  If you prefer to submit your proposal by hand please place it in an envelope in the Free Post under S.

For those who are new to the Summer Gallery, there are guidelines to help you wth the process under “Summer Gallery proposals” or you can call Judith Scruton at 250 335 2069. 

We look forward to hearing from our great artistic community.  Let’s make this the best Summer Gallery ever!

Submitted by Judith Scruton.

 

The End Will Not Come Easily

The End Will Not Come Easily

by Ryan on February 4, 2022

The end of the pandemic will not come easily.

These words, from Danish political scientist Michael Bang Petersen in today’s New York Times, state what is self-evident to many, particularly here in Canada where the so-called “Freedom Convoy” has dominated the news over the past week or so. For many, relinquishing the emotional urgency that this pandemic has thrust upon us has the feel of a bitter concession. “The End of the Pandemic May Tear Us Apart,” warns Petersen’s ominous headline, and after the two years we have all endured, few would doubt this is true.

The article is refreshingly sane, measured, and wise and is well worth reading in its entirety. But I was particularly struck by Dr. Petersen’s succinct and, to my mind at least, accurate portrayal of what’s going on in so much of what passes itself off as public debate these days:

For two years people have debated the value of masks, vaccine passports and more, to the point that they are no longer opinions but identities. And when opinions become identities, they warp our understanding and make it harder to change one’s mind as the situation changes. The truth is that we are all biased.

Well, yes. This seems painfully obvious here in Alberta these days with road blockades and protests and fiery responses dominating the news and everyday conversation daily. The situation might not be as acute where you are, but I suspect you would only have to stick a toe in the shallow end of the social media pool to be afforded rich confirmation of Petersen’s assessment. We live in a world where increasingly opinion = identity, and identity is all. This is not good, to put it mildly.

Two years into this thing, some of us have so thoroughly made our opinions about Covid a key piece of our identities that it almost defines us. For many, Covid has become the grand narrative that gives life meaning and purpose (even, sadly, many Christians). When this is the case, dialing back the intensity becomes extremely difficult. We cannot concede that we may have been wrong or at least less right than we imagined. We can’t acknowledge that in a fluid situation where things change rapidly, and in a media context that incentivizes polarization and hostility, we have all misread, misinterpreted, prioritized wrongly, spoke out of ignorance, etc. Going back to “normal,” however gradually, could seem to lay all of this bare. Indeed, some may not even want things to go back to normal. Chris Hedges wrote a book with the memorable title, War Is a Force That Gives Us Meaning. It certainly is and does. And for many, that meaning will be difficult to give up.

Well, what to do about all this. I have no idea how to solve the macro problems, but on a micro level I can only believe that if we are to in any way make the end of this pandemic come easier, we will have to at least try to reach across the divides we have created (or accelerated) and try to inhabit the experience of those who do not think like us, however odious we find their views, however threatening to the identities we have spent the last two years constructing and fortifying this might be. I wish there were some easier path that didn’t involve enmeshing ourselves in the stew of ugliness and complexity and self-interested signalling and half-truths and partial information and identity posturing. But there is no other way. We will have to reach across and attempt to genuinely understand those who are different from us. We will have to come to re-imagine one another as human beings instead of avatars of this or that ideology or political perspective.

When I was in graduate school, one of my theology professors made us do an interesting exercise on our final exam. We were given three statements that were currently generating theological controversy in the church. We had one hour to write on each one (and were told that if we didn’t use the full hour we should not expect an A!). We were instructed to marshal all of the course reading and lectures in our response, to make the best theological case possible for how and why we had arrived at our conclusions. But there was a catch. No matter how strongly we disagreed or agreed with the statement we were attempting to refute or defend, we had to start by laying out the position we disagreed with in the best possible terms. We were to affirm everything that could be affirmed, even if it wasn’t much. Most importantly, we were to describe the viewpoint that we were opposed to in terms that would be acceptable to someone who held that particular view.

I have never forgotten this exercise. I have returned to it often in my writing and pastoral ministry more broadly. Is how I am talking to or about this person or position something that they would recognize and affirm? It’s a vitally important question to ask. Nothing is easier than taking cheap shots at a caricature. Nothing is easier than labelling all protesting truckers as white supremacists bent on spreading “hate.” Nothing is easier than labelling all Black Lives Matters or Defund the Police protesters as anarchists or mindless rioters. This is a very easy path to take, and many take it.

We need to do better. In how we stagger out of this pandemic and in our discourse more broadly. We need—somehow—to recover a view of those we disagree with as neighbours instead of enemies.

 

Groundwater Licensing: March Deadline

Groundwater licensing for commercial purposes is about to take hold with a bite. March 1st is the deadline for groundwater licensing applications for commercial purposes. If you have an application in the works by deadline, you may go on using the water until a decision is made on the application. If you have not applied by deadline, you must stop using the water until a decision is made.

To encourage users to apply, Wells and Groundwater Licensing in the Islands Trust Area was a two-hour zoom seminar (zoominar?) held on February 3rd. The presentation was hosted by William Shulba, Islands Trust Senior Freshwater Specialist together with two BC government program managers, Julia Berardinucci, Water Strategies and Conservation (Environment & Climate Change), and Cali Melnechenko, Water Authorization Head (FLNRO). Apart from an initial explanation of the policy and various application scenarios, the great value of this presentation lay in the wide-ranging questions submitted by the public, which took up most of the time. Now with five years of experience since the Water Sustainability Act was introduced in February 2016, almost all questions could be clearly answered.

Many questions were of a fairly technical or legal nature. There were some questions that struck me as broadly relevant to Hornby and Denman:

  • Does a rental cabin require a license?
  • Does a home business require a license?
  • Does a B&B require a license?
  • Do I require a licence if my garden exceeds the maximum 1000 sq metres, even though I am just growing flowers for home use?
  • Can the license take into account recycled water (for example, greywater) that is returned to the ground?
  • Can the license take into account rainwater catchment?
  • Do I require a license if I use the water for animals that I may sell only on occasion (for example, sheep or cattle)?
  • Can a well be licensed to serve more than one property?
  • Does the groundwater license still apply if a property is sold?

Groundwater licensing is gradually working its way into the system. Surface and groundwater rights are now included in real estate disclosure.

In cases of uncertainty, it was advised to apply regardless, on a just-in-case basis. The government is apparently prepared for a last-minute deluge and has bulked up on information resources.

Even though the March 1st deadline applies to commercial use of groundwater only, the presentation has a lot of value for domestic users because they are a part of the total groundwater supply in any given area. While domestic users prior to 2016 are not required to register their wells, information on your well contributes to our knowledge of groundwater availability. It may also become important where it is affected by development of other wells. It was also interesting to learn that in the event of a declaration of a drought emergency, domestic users would not be required to curtail or cease use of their water. That is because they are automatically allocated a given amount of the total groundwater budget as a deemed right under legislation.

As Bernadinucci pointed out, British Columbia is a huge and complex water management environment. The licensing regime needs considerably more experience before the program can be fully evolved, to the point, for instance, where regulations for ground water monitoring could be applied province-wide.

To apply:

  1. Register for a BCeID (www.bceid.ca); allows you to being your application and edit it later, if needed.
  2. Fill in the required information as best you can (details can be worked out later).
  3. Allow for about 2 hours to complete your application online; apply early to avoid technical issues.
  4. For application form, required information, fees, links and tips groundwater.gov.bc.ca

Call FrontCounterBC for assistance 1-877-855-3222

Email FrontCounterBC to ask questions or book an appointment for assistance” FrontCounterBC@gov.bc.ca

You can also contract programs@islandtrust.bc.ca

 

 

Sarah Hagen: The Goldberg Variations

Mention of Bach’s Goldberg Variations usually wipes the smile off the faces of those who would like merely to relax. The 1741 first edition states that the Variations are “key board exercises . . .. Composed for connoisseurs . . .” As pianist Sara Hagen, pointed out to the audience at the Community Hall on Saturday, the Variations have a reputation for music that requires serious attention. For me, they evoke the iconic intensity of Glen Gould, hunched over the keyboard and singing to himself, as if possessed, followed by an insightful commentary in his disarmingly relaxed but precise manner. “Listen to the aria and see how it develops,” I overheard someone explain.

But Sara surprised me. First, she played a formidable piece by Johann Gottlieb Goldberg, a renowned child prodigy who studied with Bach himself. How the Variations got Goldberg’s name is debatable. Goldberg was employed by Count Herman Karl von Kayserling, an ailing aristocrat who commissioned the Variations from Bach to help deal with his insomnia, “like counting sheep”, and never tired of them (Goldberg, fourteen at the time in 1741, is thought to have been the first person to play them, presumably outside the Count’s bedroom if all this is true). Sara offered her own version, that Bach owed Goldberg money and offered to make him famous for all time by putting his name to the Variations because he was “baroque.” (Now there’s a Grumpism for you.)

Covid led Hagen to deeper engagement with the Variations. She’d had a very bad year with all performances cancelled. “All musicians knew right away from April 2020 this was going to be for the long haul.” A lot of colleagues turned right around and started streaming performances. Hagen tried a few, but found it wasn’t for her and made plans to focus on her repertoire. “Then, one night, a voice came to me, and it said, You are going to learn the Goldberg Variations. The next morning, I got up and thought, that is so strange because I don’t really want to. Every pianist has this and plays a few variations here and there and reads through them once a year, but I didn’t really think I would perform them until I was about eighty. Maybe,” she added,” Covid has aged me.”

She went about it in an unusual way. “I did start to learn them, but I decided to do it by not just going right to the piano and study the scores. I decided to listen to piles of recordings, and I would make a piece of artwork for each of the variations and try to understand the structure and form from that. If you work with visual art, you are always thinking about light and shadow . . . and I don’t think I would have realized it just sitting at the piano. I realized this is music that is filled with light.” Only three of the variations, she pointed out, are in a darker, minor key.

Her explanation of the structure of the Variations was helpful for someone like me, who has never studied up about them (Wikipedia has a wonderful, detailed article, I subsequently found). Her commentary helped me hear the emotional architecture that comes to a climax in the famous Variation 25, a crisis of pensive emotion, like a lull of silence in the city, that is eventually resolved in Variation 30, the extraordinary Quod Libet, where Bach combines four different songs. Two of them, Hagen pointed out, are known. “One is something along the lines of, ‘You have been away so long, come near, come near my love’. And the other song is very different. It says,’ Cabbages and turnips have driven me away, Mother, if you’d only cooked meat, I would have offered to stay’.”

Quod Libet is an improvised harmonizing that mixed up popular songs. Evidently, Bach’s family, most of whom were musicians, enjoyed quod libet at family gatherings, much to everybody’s amusement. It gives a homely touch that is both cheering and grounding.

At the very end is the reprise of the Aria on which the whole set of Variations is based. After such an intense journey of invention, virtuosity, dance, nobility, solemnity, joy, and even fun, the understated, somewhat melancholy emotion of the aria has acquired a poignant depth of experience, as if we have just gone through an entire life and come to the question of its meaning, for which the answer can lie only in the heart.

Hagen played the Variations at a somewhat slower tempo, which for me, was a relief, as they can be delivered with a crisp, swift brilliance that blurs them together and can be overwhelming, drowning the Aria in a deluge of virtuosity. Robert Newton, commenting afterwards, put it so well I must quote him: “I like hearing the details, voices and expressive phrasing.  Ah the voices!  It’s the quiet ones embedded in louder passages that speak out.  You ask, what was that?  There was one moment when she got me with it.  Those subtle voices are an aspect of piano playing that elevates the music to seem almost mystical.”  The pace was reflective, with pauses of greater or lesser extent between each variation, sometimes savouring the fade on the last note. In a word, her approach leaned to the romantic and unhistorical.

The Community Hall grand gave the playing a strong presence, something you could not experience just from a recording. This made the whole performance more personal with a greater awareness of the performer’s individual involvement. I was not listening simply to see how well the composer’s intent was delivered, nor to the performer as savant of the canon.

Hagen summed it up well: she pointed out that Bach annotated the score with the words “refresh” and “uplifting”. The voice that told her to learn the Goldbergs put her – and ourselves – on a path of hope to get through the pandemic – music for our times.

The performance is part of her Goldberg Variations album tour. The two-CD set was available at the door, together with two other of her CDs.

A person on a stage

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Freedom’s On The Table

FREEDOMS  ON  THE  TABLE

 

                            I lounge in this Diner , ( much relaxed ) 

                            just knowing the clientele  are ‘ vaxed ‘ ……

                            I love the pie here , Their perfect steak .

                            Outside , Some  angry-guys , scream  ” Fake ”

                            ” Conspiracy ” , and  ” Hear the ‘ Truth ‘ ” ….

                            As I ponder the menu 

                            in  The Diner’s  booth .

                   

                            Now  I’ve  safely planned  out my eating task , 

                            much assured , ( in a fitted mask )

                            And satisfied , with my choice  ; for ‘ Reason ‘….

                            which comes with a side of 

                            ‘ a  peace  of  Freedom ‘.

                            

                             

                                                       Ken  Fisher